{"id":520437,"date":"2023-10-11T18:08:08","date_gmt":"2023-10-11T16:08:08","guid":{"rendered":"https:\/\/leregardlibre.com\/?p=520437"},"modified":"2025-12-04T22:22:41","modified_gmt":"2025-12-04T21:22:41","slug":"the-goldman-trial-the-compartmentalization-of-an-insoumis","status":"publish","type":"post","link":"https:\/\/leregardlibre.com\/en\/cinema\/films\/the-goldman-trial-the-compartmentalization-of-an-insoumis\/","title":{"rendered":"\u00abThe Goldman Trial\u00bb, the isolation of a rebel"},"content":{"rendered":"<p class=\"has-drop-cap\"><strong>At a time when \u00abtrial films\u00bb seem to be making a comeback, C\u00e9dric Kahn plays the radical card with a solid, brilliant and funny film about the French judicial machine of the mid-1970s.<\/strong><\/p>\n\n\n\n<!--more-->\n\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe title=\"THE GOLDMAN TRIAL | Trailer\" width=\"1000\" height=\"563\" src=\"https:\/\/www.youtube.com\/embed\/lVU364k9eYU?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n\n\n<p>Presented this year at the opening of the Directors' Fortnight at the Cannes Film Festival, <em>The Goldman Trial<\/em> looks back at the appeal hearing of Pierre Goldman, far-left activist and bank robber, accused of a double murder he denies having committed. If this case caused a stir in Val\u00e9ry Giscard d'Estaing's France, it was not so much because the accused was related to the singer Jean-Jacques Goldman, but because of the scope of the trial and its political impact. Of the two adjectives used to describe Pierre Goldman, it was not \u00abbank robber\u00bb that made the police suspicious, but \u00abextreme left-wing militant\u00bb. For in the midst of communist revolts in various countries, and with the \u00abred menace\u00bb still very much alive, it was not a suspected murderer they were trying to lock up, but a political activist.<\/p>\n\n\n\n<h3 class=\"wp-block-heading\">From Resistance fighter to revolutionary<\/h3>\n\n\n\n<p>Initially presented as the son of Polish resistance heroes, Goldman went on to become an academic, a bank robber, a guerrilla, a violent, funny and communist. It's this last point, in fact, that seems to hold the attention of the jurors, and that of the police, who are very present on the relatives' bench. Because Goldman doesn't look like the ideal criminal, and that bothers the court. Not only is he very precise and erudite in his choice of words, totally moral and irreproachably transparent, but he is above all very vindictive towards all forms of authority, and a fortiori the police system.<\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><a href=\"http:\/\/leregardlibre.com\/wp-content\/uploads\/2023\/10\/le-proces-goldman_1--moonshaker-e1697040159453.jpg\"><img decoding=\"async\" src=\"https:\/\/leregardlibre.com\/wp-content\/uploads\/2023\/10\/le-proces-goldman_1--moonshaker-1024x768.jpg\" alt=\"\u00abLe Proc\u00e8s Goldman\u00bb (2023) by C\u00e9dric Kahn \u00a9 Moonshaker\" class=\"wp-image-520465\"\/><\/a><figcaption class=\"wp-element-caption\">\u00abLe Proc\u00e8s Goldman\u00bb (2023) by C\u00e9dric Kahn \u00a9 Moonshaker<\/figcaption><\/figure>\n\n\n\n<p>This rejection of a police force he considers \u00abracist and fascist\u00bb is combined with his past as a revolutionary in South America, to turn him into a kind of left-wing terrorist (like the Baader gang) who would threaten the equilibrium of the entire state: if Goldman is acquitted, it's the death of the French nation as we know it, in short. Yet, paradoxically, Goldman has a great deal of support. By those closest to him, but also by a public with ideals close to his own. This divide on the witness stand creates an almost fairground spirit in the courtroom, and allows C\u00e9dric Kahn to underpin his point of view on today's society.<\/p>\n\n\n\n<h3 class=\"wp-block-heading\">The trial of an era<\/h3>\n\n\n\n<p>As C\u00e9dric Kahn directs his main character (the staggering Arieh Worthalter), it's not so much the real man he's talking about, as the echo of a generation. If the film seems so fluid and telling, it's because it's saying something about our times. As Goldman loudly proclaims to a roomful of officers that the police are racist, it's all the more impactful because little has changed today. The constant tension in the room - and in the film - is also reflected in the direction.<\/p>\n\n\n\n<p>Goldman's sense of confinement is immediately transferred to the audience. Apart from a brief introductory scene, the entire film takes place in the courtroom. Throughout the trial, viewers witness the reconstruction of Pierre Goldman's life, through exchanges and readings of letters, as if they were jurors themselves. Of the facts, only the testimonies are \u00abshown\u00bb. This process allows immediate identification with the story, and shifts certainties as new evidence and announcements unfold before Kahn's static camera. The unusual choice of 4:3 (the almost square format used by old-fashioned television) also creates a compartmentalization of each character addressing the jurors, while recalling the media aspect of the affair, which in 1976 France was only able to hear about through the small screen.<\/p>\n\n\n\n<form method=\"post\" action=\"https:\/\/newsletter.infomaniak.com\/external\/submit\" class=\"inf-form\" target=\"_blank\"><input type=\"email\" name=\"email\" style=\"display:none\" \/><input type=\"hidden\" name=\"key\" value=\"eyJpdiI6IlZXRVJGMlRGQUU2alNqUE81bitIUk5adnNVa0c4MllFTStzOHdHT1FQZ3c9IiwidmFsdWUiOiJIYzhwMUVCK1pTNnlhY3MyMmhuZlhReWJqemEwNk93blMxTjFHc0s2VHZrPSIsIm1hYyI6ImVhYTQ5N2I1M2NiYWE4NzBmNjk2NzgzYjliM2Y5NmYzM2E2ZmU3NGQxNTU1ZDFkMTU1MzY5NTdjYjE3ZTJmNTUifQ==\"><input type=\"hidden\" name=\"webform_id\" value=\"7291\"><style> .inf-main_3000311ca56a1cb93397bc676c0b7fff{ background-color:#f5f5f5; padding:25px 20px; margin:25px auto; } .inf-main_3000311ca56a1cb93397bc676c0b7fff .inf-content { margin-top:13px;} .inf-main_3000311ca56a1cb93397bc676c0b7fff h4, .inf-main_3000311ca56a1cb93397bc676c0b7fff span, .inf-main_3000311ca56a1cb93397bc676c0b7fff label, .inf-main_3000311ca56a1cb93397bc676c0b7fff input, .inf-main_3000311ca56a1cb93397bc676c0b7fff .inf-submit, .inf-main_3000311ca56a1cb93397bc676c0b7fff .inf-success p a { color:#555555; font-size:14px; } .inf-main_3000311ca56a1cb93397bc676c0b7fff h4{ font-size:18px; margin:0px 0px 13px 0px; } .inf-main_3000311ca56a1cb93397bc676c0b7fff h4, .inf-main_3000311ca56a1cb93397bc676c0b7fff label{ font-weight:bold; } .inf-main_3000311ca56a1cb93397bc676c0b7fff .inf-input { margin-bottom:7px; } .inf-main_3000311ca56a1cb93397bc676c0b7fff label { display:block;} .inf-main_3000311ca56a1cb93397bc676c0b7fff input{ height:35px; color:#999999; border: 1px solid #E9E9E9; border:none; padding-left:7px; } .inf-main_3000311ca56a1cb93397bc676c0b7fff .inf-input.inf-error label, .inf-main_3000311ca56a1cb93397bc676c0b7fff .inf-input.inf-error span.inf-message{ color: #cc0033; } .inf-main_3000311ca56a1cb93397bc676c0b7fff .inf-input.inf-error input{ border: 1px solid #cc0033; } .inf-main_3000311ca56a1cb93397bc676c0b7fff .inf-input input { width:100%;} .inf-main_3000311ca56a1cb93397bc676c0b7fff .inf-input.inf-error span.inf-message { display: block; } .inf-main_3000311ca56a1cb93397bc676c0b7fff .inf-submit { text-align:right;} .inf-main_3000311ca56a1cb93397bc676c0b7fff .inf-submit input{ background-color:#777777; color:#ffffff; border:none; font-weight: normal; height:auto; padding:7px; } .inf-main_3000311ca56a1cb93397bc676c0b7fff .inf-submit input.disabled{ opacity: 0.4; } .inf-btn { color: rgb(85, 85, 85); border: medium none; font-weight: normal; height: auto; padding: 7px; display: inline-block; background-color: white; box-shadow: 0px 1px 1px rgba(0, 0, 0, 0.24); border-radius: 2px; line-height: 1em; } .inf-rgpd { margin:25px 0px 15px 0px; color:#555555; } <\/style> <div class=\"inf-main_3000311ca56a1cb93397bc676c0b7fff\"> <h4>NEWSLETTER DU REGARD LIBRE<\/h4> <span>Receive our articles every Sunday.<\/span> <div class=\"inf-success\" style=\"display:none\"> <h4>Your subscription to our weekly newsletter has been successfully registered!<\/h4> <p> <a href=\"#\" class=\"inf-btn\">\u00ab<\/a> <\/p> <\/div> <div class=\"inf-content\"> <div class=\"inf-input inf-input-text\"> <input type=\"text\" name=\"inf[1]\" data-inf-meta = \"1\" data-inf-error = \"Merci de renseigner une adresse email\" required=\"required\" placeholder=\"Email\" > <\/div> <div class=\"inf-submit\"> <input type=\"submit\" name=\"\" value=\"Sign up\"> <\/div> <\/div> <\/div> <\/form>\n\n\n\n<p>Brilliantly staged and written, <em>The Goldman Trial<\/em> is also eminently political and topical. C\u00e9dric Kahn's response to the fear that a two-hour judicial lock-up can arouse is to direct the actors and keep the pace on a knife-edge that never bores; a kind of good response to the first half of\u2019<em><a href=\"https:\/\/www.imdb.com\/title\/tt17009710\/\">Anatomy of a fall<\/a><\/em> (Justine Triet, 2023), which struggled to get off the ground before tackling its real subject.<\/p>\n\n\n\n<p><em>Write to the author:&nbsp;<a href=\"mailto:mathieu.vuillerme@leregardlibre.com\">mathieu.vuillerme@leregardlibre.com<\/a><\/em><\/p>\n\n\n\n<h6 class=\"wp-block-heading\">You've just read an open-access review. Debates, analyses, cultural news:&nbsp;<a href=\"https:\/\/leregardlibre.com\/en\/subscription\/\">subscribe<\/a>&nbsp;to support us and get access to all our content!<\/h6>\n\n\n\n<figure class=\"wp-block-image size-large\"><a href=\"https:\/\/leregardlibre.com\/wp-content\/uploads\/2023\/10\/affiche_le-proces-goldman_1.png\"><img fetchpriority=\"high\" decoding=\"async\" width=\"717\" height=\"1024\" src=\"https:\/\/leregardlibre.com\/wp-content\/uploads\/2023\/10\/affiche_le-proces-goldman_1-717x1024.png\" alt=\"\" class=\"wp-image-520447\" srcset=\"https:\/\/leregardlibre.com\/wp-content\/uploads\/2023\/10\/affiche_le-proces-goldman_1-717x1024.png 717w, https:\/\/leregardlibre.com\/wp-content\/uploads\/2023\/10\/affiche_le-proces-goldman_1-210x300.png 210w, https:\/\/leregardlibre.com\/wp-content\/uploads\/2023\/10\/affiche_le-proces-goldman_1-105x150.png 105w, https:\/\/leregardlibre.com\/wp-content\/uploads\/2023\/10\/affiche_le-proces-goldman_1-768x1097.png 768w, https:\/\/leregardlibre.com\/wp-content\/uploads\/2023\/10\/affiche_le-proces-goldman_1-1075x1536.png 1075w, https:\/\/leregardlibre.com\/wp-content\/uploads\/2023\/10\/affiche_le-proces-goldman_1-1434x2048.png 1434w, https:\/\/leregardlibre.com\/wp-content\/uploads\/2023\/10\/affiche_le-proces-goldman_1-1170x1671.png 1170w, https:\/\/leregardlibre.com\/wp-content\/uploads\/2023\/10\/affiche_le-proces-goldman_1-585x836.png 585w, https:\/\/leregardlibre.com\/wp-content\/uploads\/2023\/10\/affiche_le-proces-goldman_1-300x429.png 300w, https:\/\/leregardlibre.com\/wp-content\/uploads\/2023\/10\/affiche_le-proces-goldman_1-600x857.png 600w, https:\/\/leregardlibre.com\/wp-content\/uploads\/2023\/10\/affiche_le-proces-goldman_1.png 1470w\" sizes=\"(max-width: 717px) 100vw, 717px\" \/><\/a><\/figure>","protected":false},"excerpt":{"rendered":"<p>At a time when \u00abtrial films\u00bb seem to be making a comeback, C\u00e9dric Kahn plays the radical card with a solid, brilliant and funny film about the French judicial machine of the mid-1970s.<\/p>","protected":false},"author":454,"featured_media":520446,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[644355829],"tags":[644358249,61026,644341146,737546,940893,90399],"class_list":["post-520437","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-films","tag-cedric-kahn","tag-cinema-francais","tag-critiques-cinema","tag-extreme-gauche","tag-festival-de-cannes","tag-proces"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO Premium plugin v26.9 (Yoast SEO v26.9) - https:\/\/yoast.com\/product\/yoast-seo-premium-wordpress\/ -->\n<title>\u00abLe Proc\u00e8s Goldman\u00bb, cloisonnement d\u2019un insoumis<\/title>\n<meta name=\"description\" content=\"C\u00e9dric Kahn joue la carte de la radicalit\u00e9 en offrant un film brillant et dr\u00f4le sur la machine 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