{"id":524117,"date":"2024-07-08T13:41:35","date_gmt":"2024-07-08T11:41:35","guid":{"rendered":"https:\/\/leregardlibre.com\/?p=524117"},"modified":"2025-12-04T22:22:35","modified_gmt":"2025-12-04T21:22:35","slug":"furiosa-a-mad-max-saga-review","status":"publish","type":"post","link":"https:\/\/leregardlibre.com\/en\/cinema\/films\/furiosa-a-mad-max-saga-review\/","title":{"rendered":"\u00abFuriosa: A Mad Max saga\u00bb, crossing the desert"},"content":{"rendered":"<p class=\"has-drop-cap\"><strong>George Miller's latest film joins the long list of his director's box-office failures. And yet, like so many others, it will undoubtedly soon be rehabilitated. Let's take a look back at the foundations of a myth with a rich universe.<\/strong><\/p>\n\n\n\n<!--more-->\n\n\n\n<p>This new epic presents the legend of <em>Furiosa<\/em> (Anya Taylor-Joy), a child plucked from the secret green land of the Vuvalini by a horde of wandering bikers. She immediately develops a hatred for their guide, the charismatic Dementus (Chris Hemsworth), a man obsessed with shaping his own glory. Soon, their path will lead them to the citadel of Immortan Joe (Lachy Hulme), leading the clans to a war in the midst of which they'll be forced to fight. <em>Furiosa<\/em> will have to stand out to survive.\u00a0<\/p>\n\n\n\n<h3 class=\"wp-block-heading\" id=\"h-des-histoires-de-details\">Tales of details<\/h3>\n\n\n\n<p>Remember the basic yet effective premise of <em>Mad Max: Fury Road<\/em>. Here, George Miller chooses not to repeat the feat, taking the opposite approach to that taken almost ten years earlier. His story unfolds over several decades and unfolds a prodigiously rich universe. In the midst of this gigantic desert, every single life is inhabited by a story that deserves our interest.<\/p>\n\n\n\n<p>That's why every character, whether hero or extra, carries his or her own story. The film shows us this through costumes, body deformations, tools and customized vehicles. When George Miller films a dialogue between two protagonists, he systematically fills the frame with gesticulating extras, tirelessly reminding the viewer of the existence of this whole universe. In the face of omnipresent death, the director brings this world to life, full of stories. Stories that every individual would like to tell.<\/p>\n\n\n\n<form method=\"post\" action=\"https:\/\/newsletter.infomaniak.com\/external\/submit\" class=\"inf-form\" target=\"_blank\"><input type=\"email\" name=\"email\" style=\"display:none\" \/><input type=\"hidden\" name=\"key\" value=\"eyJpdiI6IlZXRVJGMlRGQUU2alNqUE81bitIUk5adnNVa0c4MllFTStzOHdHT1FQZ3c9IiwidmFsdWUiOiJIYzhwMUVCK1pTNnlhY3MyMmhuZlhReWJqemEwNk93blMxTjFHc0s2VHZrPSIsIm1hYyI6ImVhYTQ5N2I1M2NiYWE4NzBmNjk2NzgzYjliM2Y5NmYzM2E2ZmU3NGQxNTU1ZDFkMTU1MzY5NTdjYjE3ZTJmNTUifQ==\"><input type=\"hidden\" name=\"webform_id\" value=\"7291\"><style> .inf-main_3000311ca56a1cb93397bc676c0b7fff{ background-color:#f5f5f5; padding:25px 20px; margin:25px auto; } .inf-main_3000311ca56a1cb93397bc676c0b7fff .inf-content { margin-top:13px;} .inf-main_3000311ca56a1cb93397bc676c0b7fff h4, .inf-main_3000311ca56a1cb93397bc676c0b7fff span, .inf-main_3000311ca56a1cb93397bc676c0b7fff label, .inf-main_3000311ca56a1cb93397bc676c0b7fff input, .inf-main_3000311ca56a1cb93397bc676c0b7fff .inf-submit, .inf-main_3000311ca56a1cb93397bc676c0b7fff .inf-success p a { color:#555555; font-size:14px; } .inf-main_3000311ca56a1cb93397bc676c0b7fff h4{ font-size:18px; margin:0px 0px 13px 0px; } .inf-main_3000311ca56a1cb93397bc676c0b7fff h4, .inf-main_3000311ca56a1cb93397bc676c0b7fff label{ font-weight:bold; } .inf-main_3000311ca56a1cb93397bc676c0b7fff .inf-input { margin-bottom:7px; } .inf-main_3000311ca56a1cb93397bc676c0b7fff label { display:block;} .inf-main_3000311ca56a1cb93397bc676c0b7fff input{ height:35px; color:#999999; border: 1px solid #E9E9E9; border:none; padding-left:7px; } .inf-main_3000311ca56a1cb93397bc676c0b7fff .inf-input.inf-error label, .inf-main_3000311ca56a1cb93397bc676c0b7fff .inf-input.inf-error span.inf-message{ color: #cc0033; } .inf-main_3000311ca56a1cb93397bc676c0b7fff .inf-input.inf-error input{ border: 1px solid #cc0033; } .inf-main_3000311ca56a1cb93397bc676c0b7fff .inf-input input { width:100%;} .inf-main_3000311ca56a1cb93397bc676c0b7fff .inf-input.inf-error span.inf-message { display: block; } .inf-main_3000311ca56a1cb93397bc676c0b7fff .inf-submit { text-align:right;} .inf-main_3000311ca56a1cb93397bc676c0b7fff .inf-submit input{ background-color:#777777; color:#ffffff; border:none; font-weight: normal; height:auto; padding:7px; } .inf-main_3000311ca56a1cb93397bc676c0b7fff .inf-submit input.disabled{ opacity: 0.4; } .inf-btn { color: rgb(85, 85, 85); border: medium none; font-weight: normal; height: auto; padding: 7px; display: inline-block; background-color: white; box-shadow: 0px 1px 1px rgba(0, 0, 0, 0.24); border-radius: 2px; line-height: 1em; } .inf-rgpd { margin:25px 0px 15px 0px; color:#555555; } <\/style> <div class=\"inf-main_3000311ca56a1cb93397bc676c0b7fff\"> <h4>NEWSLETTER DU REGARD LIBRE<\/h4> <span>Receive our articles every Sunday.<\/span> <div class=\"inf-success\" style=\"display:none\"> <h4>Your subscription to our weekly newsletter has been successfully registered!<\/h4> <p> <a href=\"#\" class=\"inf-btn\">\u00ab<\/a> <\/p> <\/div> <div class=\"inf-content\"> <div class=\"inf-input inf-input-text\"> <input type=\"text\" name=\"inf[1]\" data-inf-meta = \"1\" data-inf-error = \"Merci de renseigner une adresse email\" required=\"required\" placeholder=\"Email\" > <\/div> <div class=\"inf-submit\"> <input type=\"submit\" name=\"\" value=\"Sign up\"> <\/div> <\/div> <\/div> <\/form>\n\n\n\n<p>George Miller's approach is self-explanatory: all these stories that the images give us a glimpse of are physically brought to the screen by the History Man (George Shevtsov), a wise old man who accompanies the film with his voice-over. He lets the action unfold, but tirelessly draws the viewer's gaze, even when hidden in the background. It's worth mentioning his appearance: his clothes and body are covered in writing. This character, reduced to the role of voice-over, nevertheless bears witness to an idea that is central to understanding how to appreciate the film, and cinema in general: the story is told through the gaze.<\/p>\n\n\n\n<h3 class=\"wp-block-heading\" id=\"h-contre-avatar-et-autres-blockbusters\">Against Avatar and other blockbusters<\/h3>\n\n\n\n<p>It is curious to note that some critics stop at this observation without seeking to interpret these images. What does <em>Furiosa: A Mad Max saga<\/em>? When you ask yourself this question, you realize how out of step the film is with today's blockbusters, the Avatar model in particular.\u00a0<\/p>\n\n\n\n<p><em>Avatar: the way of the water<\/em> (2022) showed us a friendly nature within which the characters adapted to use it to their advantage against their adversaries. The universe became as much an ally of the characters as an ideal to be protected. In <em>Furiosa<\/em>, nature has disappeared and the universe is a desert as vast as it is deadly. Every character fights for survival. In his relationship with the world, <em>Furiosa<\/em> sets itself apart from most of today's blockbusters. Licensed superheroes protect the planet from the slightest imbalance. Secret agents James Bond and Ethan Hunt are driven by the same imperatives. <em>Barbie<\/em> (2023) as <em>Oppenheimer<\/em> (2023) built the core of their plot on the risk of no longer being in harmony with their universes. Fortunately, Barbie ends up ousting the patriarchy, and Oppenheimer gets his credentials back.\u00a0<\/p>\n\n\n\n<p>This is where <em>Furiosa<\/em> finds its welcome uniqueness. Its deadly universe allows the film to create a new relationship between individuals. Other blockbusters form communities to protect the world. Here, they are formed to protect themselves. The world becomes our characters' main adversary. It could be argued that this is the proper distinction of the post-apocalyptic world. After all, it's possible to apply this observation to <em>Matrix<\/em> or <em>Planet of the Apes<\/em>. But neither takes place in a desert.<\/p>\n\n\n\n<h3 class=\"wp-block-heading\" id=\"h-un-desert-comme-reflets\">A desert of reflections<\/h3>\n\n\n\n<p>Since its debut in 1979, the <em>Mad Max<\/em> shows us the desert gradually filling up this universe, leaving no trace of the past. It's the exact opposite of the choices made in other post-apocalyptic films, which are firmly rooted in the present day. <em>Mad Max<\/em> makes a clean sweep of it, leading to an even more radical observation: the arid desert of his world reflects the moral desert of his characters.\u00a0<\/p>\n\n\n\n<p>In <em>Furiosa: A Mad Max saga<\/em>, It's all about survival. Everyone's life depends on their skills. Communities are maintained only artificially, as they are nothing more than clusters of individuals with very distinct personalities. Relationships are orchestrated by betrayal, begging or even slavery. As morality disappears, the only figures seeking to re-establish community order paradoxically become the story's antagonistic figures: Dementus and Immortan Joe.<\/p>\n\n\n\n<p>In a world where there aren't enough resources for everyone, these characters will seek to be privileged by building a myth around themselves. It's no longer a question of skills, but of beliefs. To elevate themselves, they each write their own version of history, attracting to themselves the most destitute in search of hope. The only person to escape the desert is Furiosa. She becomes history, because she's the only one who doesn't pervert the hopes of others.<\/p>\n\n\n\n<p>Opportunities to discover such a rich and coherent universe are rare. <em>Furiosa: A Mad Max saga<\/em> manages to create an original myth around which revolves a vast store of legends. Based on the nihilism of his world, he multiplies the avenues for finding meaning and humanity. It's no longer a question of saving a world already destroyed, but of fleeing, and in fleeing, reserving the few available places in the truck for those who still believe in a possible elsewhere. Only then can the long journey across the desert begin.<\/p>\n\n\n\n<p><em>Write to the author: <a href=\"mailto:jordi.gabioud@leregardlibre.com\" target=\"_blank\" rel=\"noreferrer noopener\">jordi.gabioud@leregardlibre.com<\/a><\/em><\/p>\n\n\n\n<h6 class=\"wp-block-heading\" id=\"h-vous-venez-de-lire-une-critique-en-libre-acces-debats-analyses-actualites-culturelles-abonnez-vous-a-notre-media-de-reflexion-pour-nous-soutenir-et-avoir-acces-a-tous-nos-contenus\">You've just read an open-access review. Debates, analyses, cultural news:\u00a0<a href=\"https:\/\/leregardlibre.com\/en\/subscription\/\">subscribe<\/a>\u00a0to support us and get access to all our content!<a href=\"https:\/\/www.payot.ch\/Detail\/la_decision-karine_tuil-9782072943546\"><\/a><\/h6>","protected":false},"excerpt":{"rendered":"<p>George Miller's latest film joins the long list of his director's box-office failures. And yet, like so many others, it will undoubtedly soon be rehabilitated. Let's take a look back at the foundations of a myth with a rich universe.<\/p>","protected":false},"author":330,"featured_media":524118,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[644355829],"tags":[77563,415599,644339424,644341146,644358397],"class_list":["post-524117","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-films","tag-blockbuster","tag-cinema-americain","tag-cinema-australien","tag-critiques-cinema","tag-mad-max"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO Premium plugin v26.9 (Yoast SEO v26.9) - https:\/\/yoast.com\/product\/yoast-seo-premium-wordpress\/ -->\n<title>\u00abFuriosa: Une saga Mad Max\u00bb, la travers\u00e9e du d\u00e9sert<\/title>\n<meta name=\"description\" content=\"\u00abFuriosa\u00bb de George Miller rejoint la longue liste des \u00e9checs au box-office de son 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