{"id":525222,"date":"2024-10-15T06:00:00","date_gmt":"2024-10-15T04:00:00","guid":{"rendered":"https:\/\/leregardlibre.com\/?p=525222"},"modified":"2025-12-04T22:22:31","modified_gmt":"2025-12-04T21:22:31","slug":"ingeborg-bachmann-review","status":"publish","type":"post","link":"https:\/\/leregardlibre.com\/en\/cinema\/films\/ingeborg-bachmann-review\/","title":{"rendered":"Ingeborg Bachmann, the uncultivated couple"},"content":{"rendered":"<p class=\"has-drop-cap\"><strong>The octogenarian director Margarethe von Trotta, figure of the new German cinema, signs a relentless and gripping biopic on the relationship between two other major protagonists of the world of German letters of the XXth century.<sup>th<\/sup> century: Ingeborg Bachmann and Max Frisch.<\/strong><\/p>\n\n\n\n<!--more-->\n\n\n\n<p>With <em>Ingeborg Bachmann - From desert to desert<\/em>, After Rosa Luxemburg (1986) and Hannah Arendt (2012), Margarethe von Trotta is once again dedicating a work to a great lady, one of the pioneers of the <em>Frauenfilm<\/em> (a German feminist film movement of the 70s and 80s). Unveiled in 2023 at the Berlinale, the film recounts the brief but intense love affair between the Austrian poet and the Swiss writer. By alternating eras and shattering mirrors, the film uses diffraction to reveal a raw sensibility.<\/p>\n\n\n\n<h3 class=\"wp-block-heading\" id=\"h-une-relation-houleuse-instable-parsemee-de-piques\"><strong>A stormy, unstable relationship peppered with spikes<\/strong><\/h3>\n\n\n\n<p>After meeting Max Frisch (Ronald Zehrfeld) in Paris in 1958, Ingeborg Bachmann (Vicky Krieps) joins him a few months later in Zurich, in his lakeside apartment. Their married life soon chewed up their idyll, them like two overripe fruits, spoiling each other to the point of withering. A typewriter too noisy, habits too far removed from her own, a daily routine too ataraxic - everything oppresses Ingeborg Bachmann, to the point of stealing her inspiration.<\/p>\n\n\n\n<form method=\"post\" action=\"https:\/\/newsletter.infomaniak.com\/external\/submit\" class=\"inf-form\" target=\"_blank\"><input type=\"email\" name=\"email\" style=\"display:none\"><input type=\"hidden\" name=\"key\" value=\"eyJpdiI6IlZXRVJGMlRGQUU2alNqUE81bitIUk5adnNVa0c4MllFTStzOHdHT1FQZ3c9IiwidmFsdWUiOiJIYzhwMUVCK1pTNnlhY3MyMmhuZlhReWJqemEwNk93blMxTjFHc0s2VHZrPSIsIm1hYyI6ImVhYTQ5N2I1M2NiYWE4NzBmNjk2NzgzYjliM2Y5NmYzM2E2ZmU3NGQxNTU1ZDFkMTU1MzY5NTdjYjE3ZTJmNTUifQ==\"><input type=\"hidden\" name=\"webform_id\" value=\"7291\"><style> .inf-main_3000311ca56a1cb93397bc676c0b7fff{ background-color:#f5f5f5;\npadding:25px 20px; margin:25px auto; } .inf-main_3000311ca56a1cb93397bc676c0b7fff .inf-content { margin-top:13px;} .inf-main_3000311ca56a1cb93397bc676c0b7fff h4, .inf-main_3000311ca56a1cb93397bc676c0b7fff span, .infmain_\n3000311ca56a1cb93397bc676c0b7fff label, .inf-main_3000311ca56a1cb93397bc676c0b7fff input, .inf-main_3000311ca56a1cb93397bc676c0b7fff .inf-submit, .inf-main_3000311ca56a1cb93397bc676c0b7fff .inf-success p a { color:#555555;\nfont-size:14px; } .inf-main_3000311ca56a1cb93397bc676c0b7fff h4{ font-size:18px; margin:0px 0px 13px 0px; } .inf-main_3000311ca56a1cb93397bc676c0b7fff h4, .inf-main_3000311ca56a1cb93397bc676c0b7fff label{ font-weight:bold; } .infmain_\n3000311ca56a1cb93397bc676c0b7fff .inf-input { margin-bottom:7px; } .inf-main_3000311ca56a1cb93397bc676c0b7fff label { display:block;} .inf-main_3000311ca56a1cb93397bc676c0b7fff input{ height:35px; color:#999999; border: 1px solid\n#E9E9E9; border:none; padding-left:7px; } .inf-main_3000311ca56a1cb93397bc676c0b7fff .inf-input.inf-error label, .inf-main_3000311ca56a1cb93397bc676c0b7fff .inf-input.inf-error span.inf-message{ color: #cc0033; } .infmain_\n3000311ca56a1cb93397bc676c0b7fff .inf-input.inf-error input{ border: 1px solid #cc0033; } .inf-main_3000311ca56a1cb93397bc676c0b7fff .inf-input input { width:100%;} .inf-main_3000311ca56a1cb93397bc676c0b7fff .inf-input.inf-error\nspan.inf-message { display: block; } .inf-main_3000311ca56a1cb93397bc676c0b7fff .inf-submit { text-align:right;} .inf-main_3000311ca56a1cb93397bc676c0b7fff .inf-submit input{ background-color:#777777; color:#ffffff; border:none; font-weight:\nnormal; height:auto; padding:7px; } .inf-main_3000311ca56a1cb93397bc676c0b7fff .inf-submit input.disabled{ opacity: 0.4; } .inf-btn { color: rgb(85, 85, 85); border: medium none; font-weight: normal; height: auto; padding: 7px; display: inlineblock;\nbackground-color: white; box-shadow: 0px 1px 1px rgba(0, 0, 0, 0.24); border-radius: 2px; line-height: 1em; } .inf-rgpd { margin:25px 0px 15px 0px; color:#555555; } <\/style> <div class=\"inf-main_3000311ca56a1cb93397bc676c0b7fff\">\n<h4>NEWSLETTER DU REGARD LIBRE<\/h4> <span>Receive our articles every Sunday.<\/span> <div class=\"inf-success\" style=\"display:none\"> <h4>Your subscription to our weekly newsletter has been successfully registered!<\/h4>\n<p> <a href=\"#\" class=\"inf-btn\">\u00ab<\/a> <\/p> <\/div> <div class=\"inf-content\"> <div class=\"inf-input inf-input-text\"> <input type=\"text\" name=\"inf[1]\" data-inf-meta=\"1\" data-inf-error=\"Merci de renseigner une adresse email\" required=\"required\" placeholder=\"Email\"> <\/div> <div class=\"inf-submit\"> <input type=\"submit\" name=\"\" value=\"Sign up\"> <\/div> <\/div> <\/div> <\/form>\n\n\n\n<p>But the film doesn't show Ingeborg Bachmann locked into a condition, a domination, a psychological hold or a standard patriarchal schema (although there are markers of this, acting as reminders, for example when Max Frisch reproaches her for not welcoming him with a proper meal on the table). On the contrary, the film brings to the screen the protagonist's aborted desire to escape, letting us see her constant search for truth smash against the walls of communal life shaped by centuries of propriety.<\/p>\n\n\n\n<p>Max Frisch is not portrayed as a torturer, a narcissistic pervert or an ogre, but rather as an Olympian shadow, crushing even fate. In fact, he's the only man with whom she's ever shared a household.<\/p>\n\n\n\n<h3 class=\"wp-block-heading\" id=\"h-chercher-le-feminisme-par-dela-le-machisme\"><strong>Seeking feminism beyond machismo<\/strong><\/h3>\n\n\n\n<p>The film's feminist angle is therefore not to blame Max Frisch's machismo for Ingeborg Bachmann's relationship malaise, but rather to show her ideals of independence shattered, pierced by the sharp claws of a conservative society's habitus. Ingeborg Bachmann seeks the same thing in relationships as she does in poetic writing: an impossible dialogue. She wants to be able to live every imaginable life, not to be predestined for something, not to be a slave to her destiny. To the point of taking this utopia to the desert sands.<\/p>\n\n\n\n<p>For a long time, Max Frisch was blamed for Ingeborg Bachmann's death. However, the thousand pages of correspondence between the two, published in 2022, reveal a relationship that was envenomed by both, with no major culprit. It should be pointed out, however, that Margarethe von Trotta did not have the correspondence between the two authors at the time she wrote her screenplay. So this is not a film against Max Frisch, but about an era's inability to make the couple's household the territory of women's aspirations to freedom.<\/p>\n\n\n\n<p><em>Write to the author:\u00a0<a href=\"mailto:quentin.perissinotto@leregardlibre.com\">quentin.perissinotto@leregardlibre.com<\/a><\/em><\/p>\n\n\n\n<h6 class=\"wp-block-heading\" id=\"h-vous-venez-de-lire-une-critique-en-libre-acces-publiee-dans-notre-edition-papier-le-regard-libre-n-110-debats-analyses-actualites-culturelles-abonnez-vous-a-notre-media-de-reflexion-pour-nous-soutenir-et-avoir-acces-a-tous-nos-contenus\">You have just read an open-access review published in our print edition (<a href=\"https:\/\/leregardlibre.com\/en\/cpt-editions\/le-regard-libre-n110-dossier-feminisme\/\"><em>Le Regard Libre\u00a0<\/em>N\u00b0110<\/a>). Debates, analyses, cultural news:\u00a0<a href=\"https:\/\/leregardlibre.com\/en\/subscription\/\">subscribe<\/a>\u00a0to support us and get access to all our content!<\/h6>\n\n\n\n<div class=\"wp-block-media-text is-stacked-on-mobile\" style=\"grid-template-columns:24% auto\"><figure class=\"wp-block-media-text__media\"><img fetchpriority=\"high\" decoding=\"async\" width=\"717\" height=\"1024\" src=\"https:\/\/leregardlibre.com\/wp-content\/uploads\/2024\/10\/e96f0e772aacd43a935ab17434c57044206cb645-2-717x1024.jpg\" alt=\"\" class=\"wp-image-525229 size-full\" srcset=\"https:\/\/leregardlibre.com\/wp-content\/uploads\/2024\/10\/e96f0e772aacd43a935ab17434c57044206cb645-2-717x1024.jpg 717w, https:\/\/leregardlibre.com\/wp-content\/uploads\/2024\/10\/e96f0e772aacd43a935ab17434c57044206cb645-2-210x300.jpg 210w, https:\/\/leregardlibre.com\/wp-content\/uploads\/2024\/10\/e96f0e772aacd43a935ab17434c57044206cb645-2-105x150.jpg 105w, https:\/\/leregardlibre.com\/wp-content\/uploads\/2024\/10\/e96f0e772aacd43a935ab17434c57044206cb645-2-768x1096.jpg 768w, https:\/\/leregardlibre.com\/wp-content\/uploads\/2024\/10\/e96f0e772aacd43a935ab17434c57044206cb645-2-1076x1536.jpg 1076w, https:\/\/leregardlibre.com\/wp-content\/uploads\/2024\/10\/e96f0e772aacd43a935ab17434c57044206cb645-2-585x835.jpg 585w, https:\/\/leregardlibre.com\/wp-content\/uploads\/2024\/10\/e96f0e772aacd43a935ab17434c57044206cb645-2-300x428.jpg 300w, https:\/\/leregardlibre.com\/wp-content\/uploads\/2024\/10\/e96f0e772aacd43a935ab17434c57044206cb645-2-600x856.jpg 600w, https:\/\/leregardlibre.com\/wp-content\/uploads\/2024\/10\/e96f0e772aacd43a935ab17434c57044206cb645-2.jpg 1121w\" sizes=\"(max-width: 717px) 100vw, 717px\" \/><\/figure><div class=\"wp-block-media-text__content\">\n<p><strong>Margarethe von Trotta<br><em><em>Ingeborg Bachmann - From desert to desert<\/em><\/em><br>With Vicky Krieps, Ronald Zehrfeld, Tobias Resch<br>August 2024<br>111 minutes<\/strong><\/p>\n<\/div><\/div>","protected":false},"excerpt":{"rendered":"<p>The octogenarian director Margarethe von Trotta, a figure of the new German cinema, signs a relentless and gripping biopic on the relationship between two other major protagonists of the 20th century German literary world: Ingeborg Bachmann and Max Frisch.<\/p>","protected":false},"author":213,"featured_media":525233,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[644355829],"tags":[644341146,2196962],"class_list":["post-525222","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-films","tag-critiques-cinema","tag-max-frisch"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO Premium plugin v26.9 (Yoast SEO v26.9) - https:\/\/yoast.com\/product\/yoast-seo-premium-wordpress\/ -->\n<title>Ingeborg Bachmann, le couple en 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