{"id":530547,"date":"2026-01-07T07:30:00","date_gmt":"2026-01-07T06:30:00","guid":{"rendered":"https:\/\/leregardlibre.com\/?p=530547"},"modified":"2026-01-07T18:14:25","modified_gmt":"2026-01-07T17:14:25","slug":"ia-person-of-interest-critique","status":"publish","type":"post","link":"https:\/\/leregardlibre.com\/en\/cinema\/series\/ia-person-of-interest-critique\/","title":{"rendered":"When AI represents humanity's hope"},"content":{"rendered":"<p class=\"has-drop-cap\"><strong>This month, I'm taking the opposite tack from my previous column, which saw artificial intelligence as a danger to cinema, by inviting you to rediscover a series in which AI plays the right role, for once.<\/strong><\/p>\n\n\n\n<!--more-->\n\n\n\n<p>In the latest issue of&nbsp;<em>Regard Libre<\/em>, I was opposed to artificial intelligence (AI) and skeptical of technical progress. Ever since Mary Shelley wrote&nbsp;<em>Frankenstein<\/em>&nbsp;on the shores of Lake Geneva in 1816-17, the fear of seeing human genius engender the entity that will lead to its own destruction is a leitmotif of fiction and cinema. Mary Shelley herself anchored herself in an age-old tradition, subtitling her novel \u00abThe Modern Prometheus\u00bb; in so doing, she took up the philosophical interpretation of the Greek myth that became widespread in the eighteenth century.<sup>th<\/sup>&nbsp;Prometheus symbolizes both mankind's legitimate rebellion against the Creator, and the disastrous hubris of believing oneself to be above Him, and seizing power beyond one's control.<\/p>\n\n\n\n<p>Cinema, born in the industrial age, is full of works that deal with this theme: from&nbsp;<em>Metropolis<\/em>&nbsp;in 1927 and the adaptation of&nbsp;<em>Frankenstein<\/em>&nbsp;in 1929, it has transcended the ages, nourished as it has been by the science-fiction literature of authors such as Philip K. Dick, Arthur C. Clarke and Frank Herbert. Androids and supercomputers, artificial intelligences and bloodthirsty robots have populated our collective imagination:&nbsp;<em>2001: A Space Odyssey<\/em>,&nbsp;<em>Terminator<\/em>,&nbsp;<em>I Robot<\/em>,&nbsp;<em>Blade Runner<\/em>,&nbsp;<em>Dune<\/em>,&nbsp;<em>Matrix<\/em>,&nbsp;<em>Ex Machina<\/em>,&nbsp;<em>Westworld<\/em>... All these classics contain the same Promethean warning: beware of those who think they are God!<\/p>\n\n\n\n<h3 class=\"wp-block-heading\" id=\"h-person-of-interest\"><strong><em>Person of Interest<\/em><\/strong><\/h3>\n\n\n\n<p>Recently, I rediscovered some old episodes of a series that has fallen somewhat into oblivion, but which deserves to be revisited:&nbsp;<em>Person of Interest<\/em>&nbsp;(2011-2016). Created by Jonathan Nolan, a prolific writer, director and producer who co-directed&nbsp;<em>Westworld<\/em>&nbsp;with his wife Lisa Joy, and has worked on almost all his brother Christopher's films,&nbsp;<em>Person of Interest<\/em>&nbsp;features Harold Finch, a computer genius who teams up with a former Central Intelligence Agency (CIA) henchman to save endangered people. They are assisted by an AI developed by Finch, \u00abthe Machine\u00bb, capable of predicting when a crime will take place.<\/p>\n\n\n\n<form method=\"post\" action=\"https:\/\/newsletter.infomaniak.com\/external\/submit\" class=\"inf-form\" target=\"_blank\"><input type=\"email\" name=\"email\" style=\"display:none\" \/><input type=\"hidden\" name=\"key\" value=\"eyJpdiI6IlZXRVJGMlRGQUU2alNqUE81bitIUk5adnNVa0c4MllFTStzOHdHT1FQZ3c9IiwidmFsdWUiOiJIYzhwMUVCK1pTNnlhY3MyMmhuZlhReWJqemEwNk93blMxTjFHc0s2VHZrPSIsIm1hYyI6ImVhYTQ5N2I1M2NiYWE4NzBmNjk2NzgzYjliM2Y5NmYzM2E2ZmU3NGQxNTU1ZDFkMTU1MzY5NTdjYjE3ZTJmNTUifQ==\"><input type=\"hidden\" name=\"webform_id\" value=\"7291\"><style> .inf-main_3000311ca56a1cb93397bc676c0b7fff{ background-color:#f5f5f5; padding:25px 20px; margin:25px auto; } .inf-main_3000311ca56a1cb93397bc676c0b7fff .inf-content { margin-top:13px;} .inf-main_3000311ca56a1cb93397bc676c0b7fff h4, .inf-main_3000311ca56a1cb93397bc676c0b7fff span, .inf-main_3000311ca56a1cb93397bc676c0b7fff label, .inf-main_3000311ca56a1cb93397bc676c0b7fff input, .inf-main_3000311ca56a1cb93397bc676c0b7fff .inf-submit, .inf-main_3000311ca56a1cb93397bc676c0b7fff .inf-success p a { color:#555555; font-size:14px; } .inf-main_3000311ca56a1cb93397bc676c0b7fff h4{ font-size:18px; margin:0px 0px 13px 0px; } .inf-main_3000311ca56a1cb93397bc676c0b7fff h4, .inf-main_3000311ca56a1cb93397bc676c0b7fff label{ font-weight:bold; } .inf-main_3000311ca56a1cb93397bc676c0b7fff .inf-input { margin-bottom:7px; } .inf-main_3000311ca56a1cb93397bc676c0b7fff label { display:block;} .inf-main_3000311ca56a1cb93397bc676c0b7fff input{ height:35px; color:#999999; border: 1px solid #E9E9E9; border:none; padding-left:7px; } .inf-main_3000311ca56a1cb93397bc676c0b7fff .inf-input.inf-error label, .inf-main_3000311ca56a1cb93397bc676c0b7fff .inf-input.inf-error span.inf-message{ color: #cc0033; } .inf-main_3000311ca56a1cb93397bc676c0b7fff .inf-input.inf-error input{ border: 1px solid #cc0033; } .inf-main_3000311ca56a1cb93397bc676c0b7fff .inf-input input { width:100%;} .inf-main_3000311ca56a1cb93397bc676c0b7fff .inf-input.inf-error span.inf-message { display: block; } .inf-main_3000311ca56a1cb93397bc676c0b7fff .inf-submit { text-align:right;} .inf-main_3000311ca56a1cb93397bc676c0b7fff .inf-submit input{ background-color:#777777; color:#ffffff; border:none; font-weight: normal; height:auto; padding:7px; } .inf-main_3000311ca56a1cb93397bc676c0b7fff .inf-submit input.disabled{ opacity: 0.4; } .inf-btn { color: rgb(85, 85, 85); border: medium none; font-weight: normal; height: auto; padding: 7px; display: inline-block; background-color: white; box-shadow: 0px 1px 1px rgba(0, 0, 0, 0.24); border-radius: 2px; line-height: 1em; } .inf-rgpd { margin:25px 0px 15px 0px; color:#555555; } <\/style> <div class=\"inf-main_3000311ca56a1cb93397bc676c0b7fff\"> <h4>NEWSLETTER DU REGARD LIBRE<\/h4> <span>Receive our articles every Sunday.<\/span> <div class=\"inf-success\" style=\"display:none\"> <h4>Your subscription to our weekly newsletter has been successfully registered!<\/h4> <p> <a href=\"#\" class=\"inf-btn\">\u00ab<\/a> <\/p> <\/div> <div class=\"inf-content\"> <div class=\"inf-input inf-input-text\"> <input type=\"text\" name=\"inf[1]\" data-inf-meta = \"1\" data-inf-error = \"Merci de renseigner une adresse email\" required=\"required\" placeholder=\"Email\" > <\/div> <div class=\"inf-submit\"> <input type=\"submit\" name=\"\" value=\"Sign up\"> <\/div> <\/div> <\/div> <\/form>\n\n\n\n<p>Over the course of the seasons, the two companions and their Machine face a second artificial intelligence, used by an unscrupulous multinational corporation to enslave the world.<\/p>\n\n\n\n<p>The entire narrative arc of the series revolves around this epic antagonism, between the idealistic Dr. Frankenstein who hopes to control his Creature - either by confining it to the role of tool, or by infusing it with a humanity of its own - and the Dr. Frankensteins who want to unleash the monster's power for their own interests.&nbsp;<\/p>\n\n\n\n<p>AI giants Sam Altman, Elon Musk and company hope to join this epic battle, each claiming to be the \u00abgood\u00bb Dr. Frankenstein, the Harold Finch of real life. I'll leave it to each of you to decide for yourself who is most credible in this role; for my part, I prefer to retain the mad optimism that transcends every episode of&nbsp;<em>Person of Interest<\/em>, the desperate idealism of its main characters, who persist in believing that, no matter how destructive humanity unleashes on the world, sometimes all it takes is a few profoundly good people to prevent the cataclysm.<\/p>\n\n\n\n<h6 class=\"wp-block-heading\" id=\"h-a-lire-aussi-l-ia-la-nouvelle-trahison-du-cinema\">Read also | <a href=\"https:\/\/leregardlibre.com\/en\/cinema\/ia-tilly-norwood\/\">AI, the new betrayal of cinema<\/a><\/h6>\n\n\n\n<p>The proof is that, despite the ups and downs of humanity, it's still here, and the fire that Prometheus stole from the gods hasn't yet scorched the Earth. And yet Frankenstein's monster already exists: it's called a nuclear bomb. We've been (over)living with it for 80 years. Perhaps it's naive to believe that the atom won't be our undoing one day. The fact remains that, faced with the risk of nuclear winter, courageous people have always been able to stop in time. Twice, men have stood up against the outbreak of nuclear war and saved the world, in 1963 during the Cuban missile crisis, and again in 1983.&nbsp;<\/p>\n\n\n\n<p><em>Person of Interest<\/em>&nbsp;gives hope, because it believes in the existence of these bulwarks against the excesses of technology \u2013 benevolent, courageous people. It may be argued that this is blindness, naivet\u00e9, and I'm sure I'll be warned not to confuse fiction with real life. But this is a warning that only comes into play when the film or series is optimistic; why should it only be acceptable to compare a work with reality when it paints a cold, despairing portrait of the future? Is it necessarily more intelligent and appropriate?<\/p>\n\n\n\n<p><em>Every month, our film review <strong>Jocelyn Daloz<\/strong> explores the seventh art in its socio-historical context.<\/em><\/p>\n\n\n\n<h6 class=\"wp-block-heading\" id=\"h-vous-venez-de-lire-une-chronique-en-libre-acces-tire-de-notre-edition-papier-le-regard-libre-n-122-debats-analyses-actualites-culturelles-nbsp-abonnez-vous-nbsp-a-notre-media-de-reflexion-pour-nous-soutenir-et-avoir-acces-a-tous-nos-contenus\">You have just read an open-access column from our print edition (<a href=\"https:\/\/leregardlibre.com\/en\/cpt-editions\/le-regard-libre-n122-dossier-critiques-de-la-democratie\/\"><em>Le Regard Libre <\/em>N\u00b0122<\/a>). Debates, analyses, cultural news:&nbsp;<a href=\"https:\/\/leregardlibre.com\/en\/subscription\/\">subscribe<\/a>&nbsp;to support us and access all our content.<\/h6>","protected":false},"excerpt":{"rendered":"<p>This month, I'm taking the opposite tack from my previous column, which saw artificial intelligence as a danger to cinema, by inviting you to rediscover a series in which AI plays the right role, for once.<\/p>","protected":false},"author":764,"featured_media":530550,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[644343394],"tags":[9472,134004,644358451],"class_list":["post-530547","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-series","tag-analyses","tag-intelligence-artificielle","tag-liberte-dans-lobjectif"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO Premium plugin v27.4 (Yoast SEO v27.4) - https:\/\/yoast.com\/product\/yoast-seo-premium-wordpress\/ -->\n<title>Quand l\u2019IA repr\u00e9sente l\u2019espoir de l\u2019humanit\u00e9<\/title>\n<meta name=\"description\" content=\"Cette chronique vous invite \u00e0 red\u00e9couvrir une s\u00e9rie o\u00f9 l\u2019IA tient le bon r\u00f4le, pour une fois: \u00abPerson of Interest\u00bb. 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