{"id":530640,"date":"2026-01-13T07:30:00","date_gmt":"2026-01-13T06:30:00","guid":{"rendered":"https:\/\/leregardlibre.com\/?p=530640"},"modified":"2026-03-03T17:13:49","modified_gmt":"2026-03-03T16:13:49","slug":"pluribus-review","status":"publish","type":"post","link":"https:\/\/leregardlibre.com\/en\/cinema\/series\/pluribus-review\/","title":{"rendered":"\u00abPluribus\u00bb: the revolt of the individual"},"content":{"rendered":"<p class=\"has-drop-cap\"><strong>Apple TV+'s latest Golden Globes success, the new series from the creator of<\/strong><em><strong>e X-Files <\/strong><\/em><strong>and <\/strong><em><strong>Breaking Bad<\/strong><\/em><strong> examines the modern temptation of one-track thinking in a dystopia that goes against the grain of its time. Disconcerting and intellectually stimulating.<\/strong><\/p>\n\n\n\n<!--more-->\n\n\n\n<p>A mysterious virus invades Earth and paralyzes all humanity for a brief moment. Some die. Most wake up. But something has changed: everyone now has access to the memories, emotions and thoughts of everyone else. In the wake of this <em>merger<\/em>, everyone is united in a vast, super-intelligent collective consciousness.<\/p>\n\n\n\n<p>For some unknown reason, the main character - an American writer named Carol Sturka (played by Rhea Seehorn, who won Sunday's Golden Globe 2026 for Best Actress) - was not infected by the virus. Very quickly, <em>others<\/em> (contaminated humans) will take an interest in her, convinced that it's only a matter of time before she agrees to join the <em>merger<\/em>. Carol's relentless struggle to restore the old world ensues.<\/p>\n\n\n\n<h3 class=\"wp-block-heading\" id=\"h-une-utopie-sans-individu\">A utopia without individuals<\/h3>\n\n\n\n<p><em>Pluribus <\/em>is part of the counter-utopia genre, like Aldous Huxley's classic, <em>Best of all worlds<\/em>. On the surface, all is well: humanity has become one, there is no longer any conflict; everyone acts for the good of their fellow human beings; and even children have become capable of performing surgery or flying airplanes.<\/p>\n\n\n\n<form method=\"post\" action=\"https:\/\/newsletter.infomaniak.com\/external\/submit\" class=\"inf-form\" target=\"_blank\"><input type=\"email\" name=\"email\" style=\"display:none\" \/><input type=\"hidden\" name=\"key\" value=\"eyJpdiI6IlZXRVJGMlRGQUU2alNqUE81bitIUk5adnNVa0c4MllFTStzOHdHT1FQZ3c9IiwidmFsdWUiOiJIYzhwMUVCK1pTNnlhY3MyMmhuZlhReWJqemEwNk93blMxTjFHc0s2VHZrPSIsIm1hYyI6ImVhYTQ5N2I1M2NiYWE4NzBmNjk2NzgzYjliM2Y5NmYzM2E2ZmU3NGQxNTU1ZDFkMTU1MzY5NTdjYjE3ZTJmNTUifQ==\"><input type=\"hidden\" name=\"webform_id\" value=\"7291\"><style> .inf-main_3000311ca56a1cb93397bc676c0b7fff{ background-color:#f5f5f5; padding:25px 20px; margin:25px auto; } .inf-main_3000311ca56a1cb93397bc676c0b7fff .inf-content { margin-top:13px;} .inf-main_3000311ca56a1cb93397bc676c0b7fff h4, .inf-main_3000311ca56a1cb93397bc676c0b7fff span, .inf-main_3000311ca56a1cb93397bc676c0b7fff label, .inf-main_3000311ca56a1cb93397bc676c0b7fff input, .inf-main_3000311ca56a1cb93397bc676c0b7fff .inf-submit, .inf-main_3000311ca56a1cb93397bc676c0b7fff .inf-success p a { color:#555555; font-size:14px; } .inf-main_3000311ca56a1cb93397bc676c0b7fff h4{ font-size:18px; margin:0px 0px 13px 0px; } .inf-main_3000311ca56a1cb93397bc676c0b7fff h4, .inf-main_3000311ca56a1cb93397bc676c0b7fff label{ font-weight:bold; } .inf-main_3000311ca56a1cb93397bc676c0b7fff .inf-input { margin-bottom:7px; } .inf-main_3000311ca56a1cb93397bc676c0b7fff label { display:block;} .inf-main_3000311ca56a1cb93397bc676c0b7fff input{ height:35px; color:#999999; border: 1px solid #E9E9E9; border:none; padding-left:7px; } .inf-main_3000311ca56a1cb93397bc676c0b7fff .inf-input.inf-error label, .inf-main_3000311ca56a1cb93397bc676c0b7fff .inf-input.inf-error span.inf-message{ color: #cc0033; } .inf-main_3000311ca56a1cb93397bc676c0b7fff .inf-input.inf-error input{ border: 1px solid #cc0033; } .inf-main_3000311ca56a1cb93397bc676c0b7fff .inf-input input { width:100%;} .inf-main_3000311ca56a1cb93397bc676c0b7fff .inf-input.inf-error span.inf-message { display: block; } .inf-main_3000311ca56a1cb93397bc676c0b7fff .inf-submit { text-align:right;} .inf-main_3000311ca56a1cb93397bc676c0b7fff .inf-submit input{ background-color:#777777; color:#ffffff; border:none; font-weight: normal; height:auto; padding:7px; } .inf-main_3000311ca56a1cb93397bc676c0b7fff .inf-submit input.disabled{ opacity: 0.4; } .inf-btn { color: rgb(85, 85, 85); border: medium none; font-weight: normal; height: auto; padding: 7px; display: inline-block; background-color: white; box-shadow: 0px 1px 1px rgba(0, 0, 0, 0.24); border-radius: 2px; line-height: 1em; } .inf-rgpd { margin:25px 0px 15px 0px; color:#555555; } <\/style> <div class=\"inf-main_3000311ca56a1cb93397bc676c0b7fff\"> <h4>NEWSLETTER DU REGARD LIBRE<\/h4> <span>Receive our articles every Sunday.<\/span> <div class=\"inf-success\" style=\"display:none\"> <h4>Your subscription to our weekly newsletter has been successfully registered!<\/h4> <p> <a href=\"#\" class=\"inf-btn\">\u00ab<\/a> <\/p> <\/div> <div class=\"inf-content\"> <div class=\"inf-input inf-input-text\"> <input type=\"text\" name=\"inf[1]\" data-inf-meta = \"1\" data-inf-error = \"Merci de renseigner une adresse email\" required=\"required\" placeholder=\"Email\" > <\/div> <div class=\"inf-submit\"> <input type=\"submit\" name=\"\" value=\"Sign up\"> <\/div> <\/div> <\/div> <\/form>\n\n\n\n<p>In fact, Carol's fate would be the stuff of dreams: Zosia, her charming chaperone, is constantly at her beck and call, ready to satisfy her every wish and answer her every question with unfailing patience and kindness. Yet, episode after episode, the series gives rise to a diffuse unease. There's something wrong. And that something is, quite simply, the disappearance of the individual.<\/p>\n\n\n\n<h3 class=\"wp-block-heading\" id=\"h-l-egalitarisme-pousse-a-l-absurde\">Egalitarianism taken to absurd extremes<\/h3>\n\n\n\n<p>In this new world, merit and self-interest no longer exist. Anyone can become President of the United States and, at the same time, it no longer matters. In one disturbing scene, Carol even thinks she recognizes the then-mayor of Albuquerque - her home town - busy working on her house.<\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><a href=\"https:\/\/leregardlibre.com\/wp-content\/uploads\/2026\/01\/pluribus_2-1024x683.jpg\"><img fetchpriority=\"high\" decoding=\"async\" width=\"1024\" height=\"683\" src=\"https:\/\/leregardlibre.com\/wp-content\/uploads\/2026\/01\/pluribus_2-1024x683.jpg\" alt=\"\" class=\"wp-image-530646\"\/><\/a><figcaption class=\"wp-element-caption\">The character of Carol Sturka surrounded by the <em>other<\/em>. Photo: <a href=\"https:\/\/www.apple.com\/tv-pr\/originals\/pluribus\/episodes-images\/\">Apple TV<\/a><\/figcaption><\/figure>\n\n\n\n<p>Environmentally conscious, <em>others<\/em> gather every night in large sheds, where they sleep together on the floor to save energy. Vegan and radically non-violent, they refuse to eat fruit unless it has fallen naturally from their tree. Even if it means letting part of their population starve to death. To compensate for their protein deficiency, they transform the corpses resulting from these natural deaths into a yellowish liquid that has become the mainstay of their diet.<\/p>\n\n\n\n<h3 class=\"wp-block-heading\" id=\"h-un-casting-anti-woke\">Casting<em> anti-woke<\/em><\/h3>\n\n\n\n<p>It's hard not to see in these two phenomena - the sacrifice of the individual on the altar of group identity and the rejection of all forms of domination - an implicit critique of wokism.<em>, <\/em>movement that some of its most hostile opponents, interestingly enough, call <em>mind virus<\/em> .<\/p>\n\n\n\n<p>This ideological reading is supported by narrative and casting choices made by series creator Vince Gilligan (<em>X-Files<\/em>, <em><a href=\"https:\/\/leregardlibre.com\/en\/cinema\/series\/the-color-yellow-in-breaking-bad\/\">Breaking Bad<\/a><\/em>, <em>Better Call Saul<\/em>). While the zeitgeist would have us believe that the appearance of actors should serve to deconstruct stereotypes, those of <em>Pluribus <\/em>seem, on the contrary, to reinforce them. Among the thirteen humans who escaped the <em>merger<\/em>, Only Carol - the only Caucasian in the group - shows any real concern about the situation. The eleven other immunized people she meets \u2013 all from non-Western cultures \u2013 seem to be quite comfortable with this new society, even preferring its virtues, namely the absence of war, inequality and suffering.<\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><a href=\"https:\/\/leregardlibre.com\/wp-content\/uploads\/2026\/01\/pluribus_3.jpg\"><img decoding=\"async\" width=\"1024\" height=\"683\" src=\"https:\/\/leregardlibre.com\/wp-content\/uploads\/2026\/01\/pluribus_3-1024x683.jpg\" alt=\"\" class=\"wp-image-530647\"\/><\/a><figcaption class=\"wp-element-caption\">Koumba Diabat\u00e9's character pretends to play poker with the <em>other<\/em>. Photo: <a href=\"https:\/\/www.apple.com\/tv-pr\/originals\/pluribus\/episodes-images\/\">Apple TV<\/a><\/figcaption><\/figure>\n\n\n\n<p>The clich\u00e9s are such that Koumba Diabat\u00e9 - the only character of African origin - takes advantage of them to indulge in ostentatious material pleasures, living in palaces, driving luxury cars, and treating himself to a harem made up of the most beautiful women he can find among them. <em>others.<\/em> Even Manousous Oviedo, the last resistance fighter of South American origin whom Carol eventually meets, extends this reading: where Carol has a sometimes chaotic and sentimental relationship with rebellion, he appears as a perfectly cold and methodical lone wolf, evoking a more masculine imaginary of resistance.<\/p>\n\n\n\n<h3 class=\"wp-block-heading\" id=\"h-une-mise-en-garde-contre-l-ia\">A warning against AI<\/h3>\n\n\n\n<p>The virus can also be understood as a metaphor for humanity's total adherence to a general artificial intelligence (AI). In this reading, Carol's profession is by no means insignificant. It's because she can write \u2013 and therefore think \u2013 that she's so keen to preserve her individuality. Writing also appears to be a form of resistance to her enemy: day after day, Carol records on a whiteboard all she knows about the <em>other<\/em>, which enables him to develop a strategy to combat them.<\/p>\n\n\n\n<p>As we rely more and more on large language models \u2013 such as <em>ChatGPT <\/em>\u2013 to access knowledge, and that, for the sake of convenience, we are delegating an increasing share of our judgment to them, <em>Pluribus <\/em>asks the question: aren't we encouraging the emergence of a single way of thinking in spite of ourselves? As technology infiltrates more and more areas of our lives, and guides more and more of our decisions, aren't we gradually and willingly giving up, just as we have done in the past? <em>others<\/em>, to our individuality?<\/p>\n\n\n\n<h6 class=\"wp-block-heading\" id=\"h-a-lire-aussi-l-ia-est-une-chance-pour-le-journalisme\">Read also | <a href=\"https:\/\/leregardlibre.com\/en\/company\/media\/ia-journalism\/\">AI is an opportunity for journalism<\/a><\/h6>\n\n\n\n<p>Beyond these eminently political considerations, the series also invites us to reflect on what it means to be an individual, in the broadest sense: paradoxes, freedom, creativity, solitude, the experience of love, selfishness, jealousy, happiness... and all the tensions that structure our relationship with others. So many reasons to immerse yourself in the first nine episodes and look forward to the second season.<\/p>\n\n\n\n<p><em>Economics graduate and president of the Association Caf\u00e9-philo,&nbsp;<strong>Yann Costa<\/strong>&nbsp;is an editor at&nbsp;<\/em>Regard Libre<em>. Write to the author: <em><a href=\"mailto:yann.costa@leregardlibre.com\">yann.costa@leregardlibre.com<\/a><\/em><\/em><\/p>\n\n\n\n<h6 class=\"wp-block-heading\" id=\"h-vous-venez-de-lire-un-article-en-libre-acces-debats-analyses-actualites-culturelles-nbsp-abonnez-vous-nbsp-a-notre-media-de-reflexion-pour-nous-soutenir-et-avoir-acces-a-tous-nos-contenus\">You have just read an open-access article. Debates, analyses, cultural news:&nbsp;<a href=\"https:\/\/leregardlibre.com\/en\/subscription\/\">subscribe<\/a>&nbsp;to support us and get access to all our content!<\/h6>","protected":false},"excerpt":{"rendered":"<p>Apple TV+\u00abs latest Golden Globe success, the new series from the creator of \u00bbX-Files\u00ab and \u00bbBreaking Bad\" examines the modern temptation of one-track thinking in a dystopia that goes against the grain of its time. Disconcerting and intellectually stimulating.<\/p>","protected":false},"author":734,"featured_media":530644,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[644343394],"tags":[644358504,644341146,2273843,1801882,644345274,240438,644358505],"class_list":["post-530640","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-series","tag-apple-tv","tag-critiques-cinema","tag-dystopie","tag-individu","tag-selection","tag-utopie","tag-vince-gilligan"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO Premium plugin v27.4 (Yoast SEO v27.4) - https:\/\/yoast.com\/product\/yoast-seo-premium-wordpress\/ -->\n<title>\u00abPluribus\u00bb: la r\u00e9volte de l\u2019individu<\/title>\n<meta name=\"description\" content=\"S\u00e9rie Apple TV+ prim\u00e9e aux Golden Globes, \u00abPluribus\u00bb, du cr\u00e9ateur de \u00abX-Files\u00bb et \u00abBreaking Bad\u00bb, interroge la tentation de la pens\u00e9e unique.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/leregardlibre.com\/en\/cinema\/series\/pluribus-review\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"\u00abPluribus\u00bb: la r\u00e9volte de l\u2019individu\" \/>\n<meta property=\"og:description\" content=\"S\u00e9rie Apple TV+ prim\u00e9e aux Golden Globes, \u00abPluribus\u00bb, du cr\u00e9ateur de \u00abX-Files\u00bb et \u00abBreaking Bad\u00bb, interroge la tentation de la pens\u00e9e unique.\" \/>\n<meta property=\"og:url\" content=\"https:\/\/leregardlibre.com\/en\/cinema\/series\/pluribus-review\/\" \/>\n<meta property=\"og:site_name\" content=\"Le Regard Libre\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/www.facebook.com\/leregardlibre\/\" \/>\n<meta property=\"article:published_time\" content=\"2026-01-13T06:30:00+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2026-03-03T16:13:49+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/leregardlibre.com\/wp-content\/uploads\/2026\/01\/pluribus_1-e1768249030107.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"2232\" \/>\n\t<meta property=\"og:image:height\" content=\"1280\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"author\" content=\"Yann Costa\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:creator\" content=\"@LeRegardLibre\" \/>\n<meta name=\"twitter:site\" content=\"@LeRegardLibre\" \/>\n<meta name=\"twitter:label1\" content=\"Written by\" \/>\n\t<meta name=\"twitter:data1\" content=\"Yann Costa\" \/>\n\t<meta name=\"twitter:label2\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data2\" content=\"7 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\\\/\\\/leregardlibre.com\\\/cinema\\\/series\\\/pluribus-critique\\\/#article\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/leregardlibre.com\\\/cinema\\\/series\\\/pluribus-critique\\\/\"},\"author\":{\"name\":\"Yann Costa\",\"@id\":\"https:\\\/\\\/leregardlibre.com\\\/#\\\/schema\\\/person\\\/cbc119347037004247dc60a3cb350223\"},\"headline\":\"\u00abPluribus\u00bb: la r\u00e9volte de l\u2019individu\",\"datePublished\":\"2026-01-13T06:30:00+00:00\",\"dateModified\":\"2026-03-03T16:13:49+00:00\",\"mainEntityOfPage\":{\"@id\":\"https:\\\/\\\/leregardlibre.com\\\/cinema\\\/series\\\/pluribus-critique\\\/\"},\"wordCount\":1241,\"commentCount\":0,\"publisher\":{\"@id\":\"https:\\\/\\\/leregardlibre.com\\\/#organization\"},\"image\":{\"@id\":\"https:\\\/\\\/leregardlibre.com\\\/cinema\\\/series\\\/pluribus-critique\\\/#primaryimage\"},\"thumbnailUrl\":\"https:\\\/\\\/leregardlibre.com\\\/wp-content\\\/uploads\\\/2026\\\/01\\\/pluribus_1-e1768249030107.jpg\",\"keywords\":[\"Apple TV+\",\"Critique cin\u00e9ma\",\"Dystopie\",\"Individu\",\"S\u00e9lection\",\"Utopie\",\"Vince Gilligan\"],\"articleSection\":[\"S\u00e9ries\"],\"inLanguage\":\"en-US\",\"potentialAction\":[{\"@type\":\"CommentAction\",\"name\":\"Comment\",\"target\":[\"https:\\\/\\\/leregardlibre.com\\\/cinema\\\/series\\\/pluribus-critique\\\/#respond\"]}]},{\"@type\":\"WebPage\",\"@id\":\"https:\\\/\\\/leregardlibre.com\\\/cinema\\\/series\\\/pluribus-critique\\\/\",\"url\":\"https:\\\/\\\/leregardlibre.com\\\/cinema\\\/series\\\/pluribus-critique\\\/\",\"name\":\"\u00abPluribus\u00bb: la r\u00e9volte de l\u2019individu\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/leregardlibre.com\\\/#website\"},\"primaryImageOfPage\":{\"@id\":\"https:\\\/\\\/leregardlibre.com\\\/cinema\\\/series\\\/pluribus-critique\\\/#primaryimage\"},\"image\":{\"@id\":\"https:\\\/\\\/leregardlibre.com\\\/cinema\\\/series\\\/pluribus-critique\\\/#primaryimage\"},\"thumbnailUrl\":\"https:\\\/\\\/leregardlibre.com\\\/wp-content\\\/uploads\\\/2026\\\/01\\\/pluribus_1-e1768249030107.jpg\",\"datePublished\":\"2026-01-13T06:30:00+00:00\",\"dateModified\":\"2026-03-03T16:13:49+00:00\",\"description\":\"S\u00e9rie Apple TV+ prim\u00e9e aux Golden Globes, \u00abPluribus\u00bb, du cr\u00e9ateur de \u00abX-Files\u00bb et \u00abBreaking Bad\u00bb, interroge la tentation de la pens\u00e9e unique.\",\"breadcrumb\":{\"@id\":\"https:\\\/\\\/leregardlibre.com\\\/cinema\\\/series\\\/pluribus-critique\\\/#breadcrumb\"},\"inLanguage\":\"en-US\",\"potentialAction\":[{\"@type\":\"ReadAction\",\"target\":[\"https:\\\/\\\/leregardlibre.com\\\/cinema\\\/series\\\/pluribus-critique\\\/\"]}]},{\"@type\":\"ImageObject\",\"inLanguage\":\"en-US\",\"@id\":\"https:\\\/\\\/leregardlibre.com\\\/cinema\\\/series\\\/pluribus-critique\\\/#primaryimage\",\"url\":\"https:\\\/\\\/leregardlibre.com\\\/wp-content\\\/uploads\\\/2026\\\/01\\\/pluribus_1-e1768249030107.jpg\",\"contentUrl\":\"https:\\\/\\\/leregardlibre.com\\\/wp-content\\\/uploads\\\/2026\\\/01\\\/pluribus_1-e1768249030107.jpg\",\"width\":2232,\"height\":1280,\"caption\":\"\u00abPluribus\u00bb s\u2019inscrit dans le genre des contre-utopies, \u00e0 l\u2019image du classique d\u2019Aldous Huxley, \u00abLe Meilleur des mondes\u00bb. Photo: Apple TV\"},{\"@type\":\"BreadcrumbList\",\"@id\":\"https:\\\/\\\/leregardlibre.com\\\/cinema\\\/series\\\/pluribus-critique\\\/#breadcrumb\",\"itemListElement\":[{\"@type\":\"ListItem\",\"position\":1,\"name\":\"Accueil\",\"item\":\"https:\\\/\\\/leregardlibre.com\\\/\"},{\"@type\":\"ListItem\",\"position\":2,\"name\":\"\u00abPluribus\u00bb: la r\u00e9volte de l\u2019individu\"}]},{\"@type\":\"WebSite\",\"@id\":\"https:\\\/\\\/leregardlibre.com\\\/#website\",\"url\":\"https:\\\/\\\/leregardlibre.com\\\/\",\"name\":\"Le Regard Libre\",\"description\":\"Premier mensuel suisse de d\u00e9bat\",\"publisher\":{\"@id\":\"https:\\\/\\\/leregardlibre.com\\\/#organization\"},\"potentialAction\":[{\"@type\":\"SearchAction\",\"target\":{\"@type\":\"EntryPoint\",\"urlTemplate\":\"https:\\\/\\\/leregardlibre.com\\\/?s={search_term_string}\"},\"query-input\":{\"@type\":\"PropertyValueSpecification\",\"valueRequired\":true,\"valueName\":\"search_term_string\"}}],\"inLanguage\":\"en-US\"},{\"@type\":\"Organization\",\"@id\":\"https:\\\/\\\/leregardlibre.com\\\/#organization\",\"name\":\"Le Regard Libre\",\"url\":\"https:\\\/\\\/leregardlibre.com\\\/\",\"logo\":{\"@type\":\"ImageObject\",\"inLanguage\":\"en-US\",\"@id\":\"https:\\\/\\\/leregardlibre.com\\\/#\\\/schema\\\/logo\\\/image\\\/\",\"url\":\"https:\\\/\\\/leregardlibre.com\\\/wp-content\\\/uploads\\\/2025\\\/08\\\/logo-rl-icone-neg.jpeg\",\"contentUrl\":\"https:\\\/\\\/leregardlibre.com\\\/wp-content\\\/uploads\\\/2025\\\/08\\\/logo-rl-icone-neg.jpeg\",\"width\":557,\"height\":556,\"caption\":\"Le Regard Libre\"},\"image\":{\"@id\":\"https:\\\/\\\/leregardlibre.com\\\/#\\\/schema\\\/logo\\\/image\\\/\"},\"sameAs\":[\"https:\\\/\\\/www.facebook.com\\\/leregardlibre\\\/\",\"https:\\\/\\\/x.com\\\/LeRegardLibre\",\"https:\\\/\\\/www.linkedin.com\\\/company\\\/le-regard-libre\",\"https:\\\/\\\/www.instagram.com\\\/leregardlibre\\\/\",\"http:\\\/\\\/t.me\\\/leregardlibre\",\"https:\\\/\\\/youtube.com\\\/channel\\\/UC6HzGPomj1LsUmlz-sJtITQ\"],\"description\":\"Le Regard Libre est un mensuel suisse de d\u00e9bat intellectuel et culturel. Sa r\u00e9daction est jeune, b\u00e9n\u00e9vole, lib\u00e9rale et pluraliste. Le magazine para\u00eet en ligne et sous forme papier. Sa langue est le fran\u00e7ais.\",\"email\":\"redaction@leregardlibre.com\",\"legalName\":\"Le Regard Libre\",\"foundingDate\":\"2014-01-01\",\"numberOfEmployees\":{\"@type\":\"QuantitativeValue\",\"minValue\":\"11\",\"maxValue\":\"50\"},\"publishingPrinciples\":\"https:\\\/\\\/leregardlibre.com\\\/a-propos\\\/notre-manifeste\\\/\",\"ownershipFundingInfo\":\"https:\\\/\\\/leregardlibre.com\\\/mentions-legales\\\/\",\"actionableFeedbackPolicy\":\"https:\\\/\\\/leregardlibre.com\\\/conditions-generales-de-vente\\\/\"},{\"@type\":\"Person\",\"@id\":\"https:\\\/\\\/leregardlibre.com\\\/#\\\/schema\\\/person\\\/cbc119347037004247dc60a3cb350223\",\"name\":\"Yann Costa\",\"image\":{\"@type\":\"ImageObject\",\"inLanguage\":\"en-US\",\"@id\":\"https:\\\/\\\/secure.gravatar.com\\\/avatar\\\/757bf0e2077d844825793ef547adc188578934f72b20441b7bb2f2c4e1679ecb?s=96&d=identicon&r=g\",\"url\":\"https:\\\/\\\/secure.gravatar.com\\\/avatar\\\/757bf0e2077d844825793ef547adc188578934f72b20441b7bb2f2c4e1679ecb?s=96&d=identicon&r=g\",\"contentUrl\":\"https:\\\/\\\/secure.gravatar.com\\\/avatar\\\/757bf0e2077d844825793ef547adc188578934f72b20441b7bb2f2c4e1679ecb?s=96&d=identicon&r=g\",\"caption\":\"Yann Costa\"},\"url\":\"https:\\\/\\\/leregardlibre.com\\\/en\\\/author\\\/yann-costa\\\/\"}]}<\/script>\n<!-- \/ Yoast SEO Premium plugin. -->","yoast_head_json":{"title":"\u00abPluribus\u00bb: the revolt of the individual","description":"Golden Globe-winning Apple TV+ series, \u00abPluribus\u00bb, from the creator of \u00abX-Files\u00bb and \u00abBreaking Bad\u00bb, questions the temptation of one-track thinking.","robots":{"index":"index","follow":"follow","max-snippet":"max-snippet:-1","max-image-preview":"max-image-preview:large","max-video-preview":"max-video-preview:-1"},"canonical":"https:\/\/leregardlibre.com\/en\/cinema\/series\/pluribus-review\/","og_locale":"en_US","og_type":"article","og_title":"\u00abPluribus\u00bb: la r\u00e9volte de l\u2019individu","og_description":"S\u00e9rie Apple TV+ prim\u00e9e aux Golden Globes, \u00abPluribus\u00bb, du cr\u00e9ateur de \u00abX-Files\u00bb et \u00abBreaking Bad\u00bb, interroge la tentation de la pens\u00e9e unique.","og_url":"https:\/\/leregardlibre.com\/en\/cinema\/series\/pluribus-review\/","og_site_name":"Le Regard Libre","article_publisher":"https:\/\/www.facebook.com\/leregardlibre\/","article_published_time":"2026-01-13T06:30:00+00:00","article_modified_time":"2026-03-03T16:13:49+00:00","og_image":[{"width":2232,"height":1280,"url":"https:\/\/leregardlibre.com\/wp-content\/uploads\/2026\/01\/pluribus_1-e1768249030107.jpg","type":"image\/jpeg"}],"author":"Yann Costa","twitter_card":"summary_large_image","twitter_creator":"@LeRegardLibre","twitter_site":"@LeRegardLibre","twitter_misc":{"Written by":"Yann Costa","Est. reading time":"7 minutes"},"schema":{"@context":"https:\/\/schema.org","@graph":[{"@type":"Article","@id":"https:\/\/leregardlibre.com\/cinema\/series\/pluribus-critique\/#article","isPartOf":{"@id":"https:\/\/leregardlibre.com\/cinema\/series\/pluribus-critique\/"},"author":{"name":"Yann Costa","@id":"https:\/\/leregardlibre.com\/#\/schema\/person\/cbc119347037004247dc60a3cb350223"},"headline":"\u00abPluribus\u00bb: la r\u00e9volte de l\u2019individu","datePublished":"2026-01-13T06:30:00+00:00","dateModified":"2026-03-03T16:13:49+00:00","mainEntityOfPage":{"@id":"https:\/\/leregardlibre.com\/cinema\/series\/pluribus-critique\/"},"wordCount":1241,"commentCount":0,"publisher":{"@id":"https:\/\/leregardlibre.com\/#organization"},"image":{"@id":"https:\/\/leregardlibre.com\/cinema\/series\/pluribus-critique\/#primaryimage"},"thumbnailUrl":"https:\/\/leregardlibre.com\/wp-content\/uploads\/2026\/01\/pluribus_1-e1768249030107.jpg","keywords":["Apple TV+","Critique cin\u00e9ma","Dystopie","Individu","S\u00e9lection","Utopie","Vince Gilligan"],"articleSection":["S\u00e9ries"],"inLanguage":"en-US","potentialAction":[{"@type":"CommentAction","name":"Comment","target":["https:\/\/leregardlibre.com\/cinema\/series\/pluribus-critique\/#respond"]}]},{"@type":"WebPage","@id":"https:\/\/leregardlibre.com\/cinema\/series\/pluribus-critique\/","url":"https:\/\/leregardlibre.com\/cinema\/series\/pluribus-critique\/","name":"\u00abPluribus\u00bb: the revolt of the individual","isPartOf":{"@id":"https:\/\/leregardlibre.com\/#website"},"primaryImageOfPage":{"@id":"https:\/\/leregardlibre.com\/cinema\/series\/pluribus-critique\/#primaryimage"},"image":{"@id":"https:\/\/leregardlibre.com\/cinema\/series\/pluribus-critique\/#primaryimage"},"thumbnailUrl":"https:\/\/leregardlibre.com\/wp-content\/uploads\/2026\/01\/pluribus_1-e1768249030107.jpg","datePublished":"2026-01-13T06:30:00+00:00","dateModified":"2026-03-03T16:13:49+00:00","description":"Golden Globe-winning Apple TV+ series, \u00abPluribus\u00bb, from the creator of \u00abX-Files\u00bb and \u00abBreaking Bad\u00bb, questions the temptation of one-track thinking.","breadcrumb":{"@id":"https:\/\/leregardlibre.com\/cinema\/series\/pluribus-critique\/#breadcrumb"},"inLanguage":"en-US","potentialAction":[{"@type":"ReadAction","target":["https:\/\/leregardlibre.com\/cinema\/series\/pluribus-critique\/"]}]},{"@type":"ImageObject","inLanguage":"en-US","@id":"https:\/\/leregardlibre.com\/cinema\/series\/pluribus-critique\/#primaryimage","url":"https:\/\/leregardlibre.com\/wp-content\/uploads\/2026\/01\/pluribus_1-e1768249030107.jpg","contentUrl":"https:\/\/leregardlibre.com\/wp-content\/uploads\/2026\/01\/pluribus_1-e1768249030107.jpg","width":2232,"height":1280,"caption":"\u00abPluribus\u00bb s\u2019inscrit dans le genre des contre-utopies, \u00e0 l\u2019image du classique d\u2019Aldous Huxley, \u00abLe Meilleur des mondes\u00bb. Photo: Apple TV"},{"@type":"BreadcrumbList","@id":"https:\/\/leregardlibre.com\/cinema\/series\/pluribus-critique\/#breadcrumb","itemListElement":[{"@type":"ListItem","position":1,"name":"Accueil","item":"https:\/\/leregardlibre.com\/"},{"@type":"ListItem","position":2,"name":"\u00abPluribus\u00bb: la r\u00e9volte de l\u2019individu"}]},{"@type":"WebSite","@id":"https:\/\/leregardlibre.com\/#website","url":"https:\/\/leregardlibre.com\/","name":"Le Regard Libre","description":"Switzerland's first monthly debate magazine","publisher":{"@id":"https:\/\/leregardlibre.com\/#organization"},"potentialAction":[{"@type":"SearchAction","target":{"@type":"EntryPoint","urlTemplate":"https:\/\/leregardlibre.com\/?s={search_term_string}"},"query-input":{"@type":"PropertyValueSpecification","valueRequired":true,"valueName":"search_term_string"}}],"inLanguage":"en-US"},{"@type":"Organization","@id":"https:\/\/leregardlibre.com\/#organization","name":"Le Regard Libre","url":"https:\/\/leregardlibre.com\/","logo":{"@type":"ImageObject","inLanguage":"en-US","@id":"https:\/\/leregardlibre.com\/#\/schema\/logo\/image\/","url":"https:\/\/leregardlibre.com\/wp-content\/uploads\/2025\/08\/logo-rl-icone-neg.jpeg","contentUrl":"https:\/\/leregardlibre.com\/wp-content\/uploads\/2025\/08\/logo-rl-icone-neg.jpeg","width":557,"height":556,"caption":"Le Regard Libre"},"image":{"@id":"https:\/\/leregardlibre.com\/#\/schema\/logo\/image\/"},"sameAs":["https:\/\/www.facebook.com\/leregardlibre\/","https:\/\/x.com\/LeRegardLibre","https:\/\/www.linkedin.com\/company\/le-regard-libre","https:\/\/www.instagram.com\/leregardlibre\/","http:\/\/t.me\/leregardlibre","https:\/\/youtube.com\/channel\/UC6HzGPomj1LsUmlz-sJtITQ"],"description":"Le Regard Libre is a Swiss monthly magazine for intellectual and cultural debate. Its editorial team is young, voluntary, liberal and pluralist. The magazine appears online and in print. Its language is French.","email":"redaction@leregardlibre.com","legalName":"Le Regard Libre","foundingDate":"2014-01-01","numberOfEmployees":{"@type":"QuantitativeValue","minValue":"11","maxValue":"50"},"publishingPrinciples":"https:\/\/leregardlibre.com\/a-propos\/notre-manifeste\/","ownershipFundingInfo":"https:\/\/leregardlibre.com\/mentions-legales\/","actionableFeedbackPolicy":"https:\/\/leregardlibre.com\/conditions-generales-de-vente\/"},{"@type":"Person","@id":"https:\/\/leregardlibre.com\/#\/schema\/person\/cbc119347037004247dc60a3cb350223","name":"Yann Costa","image":{"@type":"ImageObject","inLanguage":"en-US","@id":"https:\/\/secure.gravatar.com\/avatar\/757bf0e2077d844825793ef547adc188578934f72b20441b7bb2f2c4e1679ecb?s=96&d=identicon&r=g","url":"https:\/\/secure.gravatar.com\/avatar\/757bf0e2077d844825793ef547adc188578934f72b20441b7bb2f2c4e1679ecb?s=96&d=identicon&r=g","contentUrl":"https:\/\/secure.gravatar.com\/avatar\/757bf0e2077d844825793ef547adc188578934f72b20441b7bb2f2c4e1679ecb?s=96&d=identicon&r=g","caption":"Yann Costa"},"url":"https:\/\/leregardlibre.com\/en\/author\/yann-costa\/"}]}},"_links":{"self":[{"href":"https:\/\/leregardlibre.com\/en\/wp-json\/wp\/v2\/posts\/530640","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/leregardlibre.com\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/leregardlibre.com\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/leregardlibre.com\/en\/wp-json\/wp\/v2\/users\/734"}],"replies":[{"embeddable":true,"href":"https:\/\/leregardlibre.com\/en\/wp-json\/wp\/v2\/comments?post=530640"}],"version-history":[{"count":2,"href":"https:\/\/leregardlibre.com\/en\/wp-json\/wp\/v2\/posts\/530640\/revisions"}],"predecessor-version":[{"id":530689,"href":"https:\/\/leregardlibre.com\/en\/wp-json\/wp\/v2\/posts\/530640\/revisions\/530689"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/leregardlibre.com\/en\/wp-json\/wp\/v2\/media\/530644"}],"wp:attachment":[{"href":"https:\/\/leregardlibre.com\/en\/wp-json\/wp\/v2\/media?parent=530640"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/leregardlibre.com\/en\/wp-json\/wp\/v2\/categories?post=530640"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/leregardlibre.com\/en\/wp-json\/wp\/v2\/tags?post=530640"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}