{"id":6111,"date":"2016-02-15T08:00:01","date_gmt":"2016-02-15T07:00:01","guid":{"rendered":"http:\/\/leregardlibre.com\/?p=6111"},"modified":"2025-12-04T23:02:36","modified_gmt":"2025-12-04T22:02:36","slug":"for-everything-to-stay-the-same-everything-has-to-change","status":"publish","type":"post","link":"https:\/\/leregardlibre.com\/en\/cinema\/films\/for-everything-to-stay-the-same-everything-has-to-change\/","title":{"rendered":"\u00abFor everything to stay the same, everything has to change\u00bb.\u00bb"},"content":{"rendered":"

Based on the novel by Giuseppe Tomasi di Lampedusa, The Cheetah<\/em> is surely one of Italian director Luchino Visconti's iconic creations, a 1963 film like no other, 205 minutes of masterpiece. A soundtrack by Nino Rota and a dream cast: Burt Lancaster as the Prince of Salina, Alain Delon as Tancredi, Claudia Cardinale as Angelica, and Sicily, immortal in 1860 as it is today. For the film opens in the turmoil of Italian unification.<\/p>\n\n\n\n\n\n\n\n

Don Fabrizio Corbera, prince de Salina, c\u2019est lui, le Gu\u00e9pard, dur et serein face \u00e0 la r\u00e9vo-lution, mais c\u2019est aussi l\u2019auteur, Tomasi, et, dans une certaine mesure, Visconti lui-m\u00eame. Comme dans tous ses films, comme dans Les Damn\u00e9s<\/em>, Ludwig ou le Cr\u00e9puscule des Dieux<\/em> et tant d\u2019autres, le th\u00e8me de la d\u00e9cadence d\u2019une aristocratie obs\u00e8de le cin\u00e9aste-prince milanais, devenu militant rouge. C\u2019est tout un monde qui s\u2019effondre avec la chute du royaume des Bourbons, quand le trouble Don Calogero, un paysan enrichi, parvient \u00e0 fiancer sa fille Angelica au neveu du prince, Tancredi Falconeri.<\/p>\n\n\n\n

Dans une sc\u00e8ne grandiose au c\u0153ur de la campagne sicilienne, le \u00abterrain de chasse\u00bb du Gu\u00e9pard, Don Fabrizio tente d\u2019expliquer \u00e0 son intendant que \u00abce mariage, ce n\u2019est pas la fin, c\u2019est le d\u00e9but de tout\u00bb. En s\u2019alliant avec la bourgeoisie parvenue, en applaudissant l\u2019unification de l\u2019Italie, le prince cherche avant tout \u00e0 assurer la survie de sa maison, quitte \u00e0 mettre de c\u00f4t\u00e9 de sa fille Concetta, amoureuse de Tancredi. A la fille s\u00e9v\u00e8re et sage du prince de Salina, son cousin pr\u00e9f\u00e8re la radieuse Angelica, qui n\u2019h\u00e9site pas \u00e0 rire \u00e0 gorge d\u00e9ploy\u00e9e \u00e0 table pour une blague salace.<\/p>\n\n\n\n

Le Gu\u00e9pard, ce n\u2019est pas seulement le prince de Salina face \u00e0 la modernit\u00e9, mais aussi le prince de Salina face \u00e0 lui-m\u00eame. L\u2019homme m\u00fbr se sent dispara\u00eetre avec son monde, d\u00e9pass\u00e9 par son neveu Tancredi, jeune et ambitieux, et par la belle Angelica. Il n\u2019est d\u2019ailleurs pas insensible aux charmes de sa future ni\u00e8ce, comme le laisse supposer, dans la fameuse sc\u00e8ne du bal, leur valse sous les regards jaloux de Tancredi, de la princesse de Salina et de toute l\u2019aristocratie sicilienne. Le gu\u00e9pard lui-m\u00eame a ses faiblesses, et il fond en larmes quand il s\u2019aper\u00e7oit dans une glace \u00e0 la fin du bal, lucide de sa propre finitude. \u00abPour que tout reste comme avant, il faut que tout change\u00bb, lui avait pr\u00e9dit Tancredi. Convaincu que l\u2019unification n\u2019est qu\u2019une r\u00e9volution d\u2019op\u00e9rette, Don Fabrizio n\u2019en est pas moins oblig\u00e9 d\u2019accepter la mort.<\/p>\n\n\n\n

L\u2019histoire de Don Fabrizio, c\u2019est aussi celle d\u2019une contr\u00e9e, aride et recul\u00e9e, noy\u00e9e dans les flots d\u2019une modernit\u00e9 qu\u2019elle abhorre. Quand un \u00e9missaire pi\u00e9montais vient proposer au prince d\u2019\u00eatre nomm\u00e9 au parlement italien, celui-ci refuse, arguant que la Sicile ne veut qu\u2019une chose, \u00eatre oubli\u00e9e. Au moins la sienne. La Sicile de Don Calogero, elle, est pr\u00eate \u00e0 faire le pas, et c\u2019est lui que Don Fabrizio propose d\u2019envoyer au parlement de Turin. De ce Calogero, on ne sait trop s\u2019il s\u2019agit d\u2019un personnage sympathique ou puant, affable ou int\u00e9ress\u00e9. Quand il arrive en frac au d\u00e9jeuner du prince, celui-ci n\u2019h\u00e9site pas \u00e0 le qualifier gentiment de \u00abr\u00e9volution en marche\u00bb!<\/p>\n\n\n\n

Visconti a fait preuve d\u2019une extr\u00eame finesse dans le choix des sc\u00e8nes, depuis la discussion avec le chapelain, p\u00e8re Pirrone, jusqu\u2019\u00e0 la derni\u00e8re sc\u00e8ne dans les rues de Naples. Une finesse que n\u2019avait pas eue l\u2019\u0153uvre de Tomasi, un peu emp\u00e2t\u00e9e, et qui se terminait bien des ann\u00e9es plus tard sur la mort du prince et la vie recluse de ses filles. Un d\u00e9tail que le film a peut-\u00eatre omis: la pr\u00e9sence de Bendic\u00f2, le chien du prince, dont on a dit qu\u2019il \u00e9tait le vrai h\u00e9ros du roman, fid\u00e8le compagnon, empaill\u00e9 apr\u00e8s sa mort pour \u00eatre finalement oubli\u00e9 et jet\u00e9 \u00e0 la voirie… Le destin de Don Fabrizio?<\/p>","protected":false},"excerpt":{"rendered":"

Inspir\u00e9 du roman de Giuseppe Tomasi di Lampedusa, Le Gu\u00e9pard est s\u00fbrement l\u2019une des cr\u00e9ations iconiques du cin\u00e9aste italien Luchino…<\/p>","protected":false},"author":548,"featured_media":6182,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[644355829],"tags":[578359,3285204,557585],"class_list":["post-6111","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-films","tag-alain-delon","tag-claudia-cardinale","tag-sicile"],"acf":[],"yoast_head":"\n\u00abPour que tout reste comme avant, il faut que tout change\u00bb<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/leregardlibre.com\/en\/cinema\/films\/for-everything-to-stay-the-same-everything-has-to-change\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"\u00abPour que tout reste comme avant, il faut que tout change\u00bb\" \/>\n<meta property=\"og:description\" content=\"Inspir\u00e9 du roman de Giuseppe Tomasi di Lampedusa, Le Gu\u00e9pard est s\u00fbrement l\u2019une des cr\u00e9ations iconiques du cin\u00e9aste italien Luchino...\" \/>\n<meta property=\"og:url\" content=\"https:\/\/leregardlibre.com\/en\/cinema\/films\/for-everything-to-stay-the-same-everything-has-to-change\/\" \/>\n<meta property=\"og:site_name\" content=\"Le Regard Libre\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/www.facebook.com\/leregardlibre\/\" \/>\n<meta property=\"article:published_time\" content=\"2016-02-15T07:00:01+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2025-12-04T22:02:36+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/leregardlibre.com\/wp-content\/uploads\/2017\/04\/le-guc3a9pard.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"1500\" \/>\n\t<meta property=\"og:image:height\" content=\"1067\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"author\" content=\"S\u00e9bastien Oreiller\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:creator\" content=\"@LeRegardLibre\" \/>\n<meta name=\"twitter:site\" content=\"@LeRegardLibre\" \/>\n<meta name=\"twitter:label1\" content=\"Written by\" \/>\n\t<meta name=\"twitter:data1\" content=\"S\u00e9bastien Oreiller\" \/>\n\t<meta name=\"twitter:label2\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data2\" content=\"4 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\\\/\\\/leregardlibre.com\\\/cinema\\\/films\\\/pour-que-tout-reste-comme-avant-il-faut-que-tout-change\\\/#article\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/leregardlibre.com\\\/cinema\\\/films\\\/pour-que-tout-reste-comme-avant-il-faut-que-tout-change\\\/\"},\"author\":{\"name\":\"S\u00e9bastien Oreiller\",\"@id\":\"https:\\\/\\\/leregardlibre.com\\\/#\\\/schema\\\/person\\\/66eab886a6544870b69d1fd355ab4fe7\"},\"headline\":\"\u00abPour que tout reste comme avant, il faut que tout change\u00bb\",\"datePublished\":\"2016-02-15T07:00:01+00:00\",\"dateModified\":\"2025-12-04T22:02:36+00:00\",\"mainEntityOfPage\":{\"@id\":\"https:\\\/\\\/leregardlibre.com\\\/cinema\\\/films\\\/pour-que-tout-reste-comme-avant-il-faut-que-tout-change\\\/\"},\"wordCount\":748,\"commentCount\":0,\"publisher\":{\"@id\":\"https:\\\/\\\/leregardlibre.com\\\/#organization\"},\"image\":{\"@id\":\"https:\\\/\\\/leregardlibre.com\\\/cinema\\\/films\\\/pour-que-tout-reste-comme-avant-il-faut-que-tout-change\\\/#primaryimage\"},\"thumbnailUrl\":\"https:\\\/\\\/leregardlibre.com\\\/wp-content\\\/uploads\\\/2017\\\/04\\\/le-guc3a9pard.jpg\",\"keywords\":[\"Alain Delon\",\"Claudia Cardinale\",\"Sicile\"],\"articleSection\":[\"Films\"],\"inLanguage\":\"en-US\",\"potentialAction\":[{\"@type\":\"CommentAction\",\"name\":\"Comment\",\"target\":[\"https:\\\/\\\/leregardlibre.com\\\/cinema\\\/films\\\/pour-que-tout-reste-comme-avant-il-faut-que-tout-change\\\/#respond\"]}]},{\"@type\":\"WebPage\",\"@id\":\"https:\\\/\\\/leregardlibre.com\\\/cinema\\\/films\\\/pour-que-tout-reste-comme-avant-il-faut-que-tout-change\\\/\",\"url\":\"https:\\\/\\\/leregardlibre.com\\\/cinema\\\/films\\\/pour-que-tout-reste-comme-avant-il-faut-que-tout-change\\\/\",\"name\":\"\u00abPour que tout reste comme avant, il faut que tout change\u00bb\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/leregardlibre.com\\\/#website\"},\"primaryImageOfPage\":{\"@id\":\"https:\\\/\\\/leregardlibre.com\\\/cinema\\\/films\\\/pour-que-tout-reste-comme-avant-il-faut-que-tout-change\\\/#primaryimage\"},\"image\":{\"@id\":\"https:\\\/\\\/leregardlibre.com\\\/cinema\\\/films\\\/pour-que-tout-reste-comme-avant-il-faut-que-tout-change\\\/#primaryimage\"},\"thumbnailUrl\":\"https:\\\/\\\/leregardlibre.com\\\/wp-content\\\/uploads\\\/2017\\\/04\\\/le-guc3a9pard.jpg\",\"datePublished\":\"2016-02-15T07:00:01+00:00\",\"dateModified\":\"2025-12-04T22:02:36+00:00\",\"breadcrumb\":{\"@id\":\"https:\\\/\\\/leregardlibre.com\\\/cinema\\\/films\\\/pour-que-tout-reste-comme-avant-il-faut-que-tout-change\\\/#breadcrumb\"},\"inLanguage\":\"en-US\",\"potentialAction\":[{\"@type\":\"ReadAction\",\"target\":[\"https:\\\/\\\/leregardlibre.com\\\/cinema\\\/films\\\/pour-que-tout-reste-comme-avant-il-faut-que-tout-change\\\/\"]}]},{\"@type\":\"ImageObject\",\"inLanguage\":\"en-US\",\"@id\":\"https:\\\/\\\/leregardlibre.com\\\/cinema\\\/films\\\/pour-que-tout-reste-comme-avant-il-faut-que-tout-change\\\/#primaryimage\",\"url\":\"https:\\\/\\\/leregardlibre.com\\\/wp-content\\\/uploads\\\/2017\\\/04\\\/le-guc3a9pard.jpg\",\"contentUrl\":\"https:\\\/\\\/leregardlibre.com\\\/wp-content\\\/uploads\\\/2017\\\/04\\\/le-guc3a9pard.jpg\",\"width\":1500,\"height\":1067},{\"@type\":\"BreadcrumbList\",\"@id\":\"https:\\\/\\\/leregardlibre.com\\\/cinema\\\/films\\\/pour-que-tout-reste-comme-avant-il-faut-que-tout-change\\\/#breadcrumb\",\"itemListElement\":[{\"@type\":\"ListItem\",\"position\":1,\"name\":\"Accueil\",\"item\":\"https:\\\/\\\/leregardlibre.com\\\/\"},{\"@type\":\"ListItem\",\"position\":2,\"name\":\"\u00abPour que tout reste comme avant, il faut que tout change\u00bb\"}]},{\"@type\":\"WebSite\",\"@id\":\"https:\\\/\\\/leregardlibre.com\\\/#website\",\"url\":\"https:\\\/\\\/leregardlibre.com\\\/\",\"name\":\"Le Regard Libre\",\"description\":\"Premier mensuel suisse de d\u00e9bat\",\"publisher\":{\"@id\":\"https:\\\/\\\/leregardlibre.com\\\/#organization\"},\"potentialAction\":[{\"@type\":\"SearchAction\",\"target\":{\"@type\":\"EntryPoint\",\"urlTemplate\":\"https:\\\/\\\/leregardlibre.com\\\/?s={search_term_string}\"},\"query-input\":{\"@type\":\"PropertyValueSpecification\",\"valueRequired\":true,\"valueName\":\"search_term_string\"}}],\"inLanguage\":\"en-US\"},{\"@type\":\"Organization\",\"@id\":\"https:\\\/\\\/leregardlibre.com\\\/#organization\",\"name\":\"Le Regard Libre\",\"url\":\"https:\\\/\\\/leregardlibre.com\\\/\",\"logo\":{\"@type\":\"ImageObject\",\"inLanguage\":\"en-US\",\"@id\":\"https:\\\/\\\/leregardlibre.com\\\/#\\\/schema\\\/logo\\\/image\\\/\",\"url\":\"https:\\\/\\\/leregardlibre.com\\\/wp-content\\\/uploads\\\/2025\\\/08\\\/logo-rl-icone-neg.jpeg\",\"contentUrl\":\"https:\\\/\\\/leregardlibre.com\\\/wp-content\\\/uploads\\\/2025\\\/08\\\/logo-rl-icone-neg.jpeg\",\"width\":557,\"height\":556,\"caption\":\"Le Regard Libre\"},\"image\":{\"@id\":\"https:\\\/\\\/leregardlibre.com\\\/#\\\/schema\\\/logo\\\/image\\\/\"},\"sameAs\":[\"https:\\\/\\\/www.facebook.com\\\/leregardlibre\\\/\",\"https:\\\/\\\/x.com\\\/LeRegardLibre\",\"https:\\\/\\\/www.linkedin.com\\\/company\\\/le-regard-libre\",\"https:\\\/\\\/www.instagram.com\\\/leregardlibre\\\/\",\"http:\\\/\\\/t.me\\\/leregardlibre\",\"https:\\\/\\\/youtube.com\\\/channel\\\/UC6HzGPomj1LsUmlz-sJtITQ\"],\"description\":\"Le Regard Libre est un mensuel suisse de d\u00e9bat intellectuel et culturel. Sa r\u00e9daction est jeune, b\u00e9n\u00e9vole, lib\u00e9rale et pluraliste. Le magazine para\u00eet en ligne et sous forme papier. Sa langue est le fran\u00e7ais.\",\"email\":\"redaction@leregardlibre.com\",\"legalName\":\"Le Regard Libre\",\"foundingDate\":\"2014-01-01\",\"numberOfEmployees\":{\"@type\":\"QuantitativeValue\",\"minValue\":\"11\",\"maxValue\":\"50\"},\"publishingPrinciples\":\"https:\\\/\\\/leregardlibre.com\\\/a-propos\\\/notre-manifeste\\\/\",\"ownershipFundingInfo\":\"https:\\\/\\\/leregardlibre.com\\\/mentions-legales\\\/\",\"actionableFeedbackPolicy\":\"https:\\\/\\\/leregardlibre.com\\\/conditions-generales-de-vente\\\/\"},{\"@type\":\"Person\",\"@id\":\"https:\\\/\\\/leregardlibre.com\\\/#\\\/schema\\\/person\\\/66eab886a6544870b69d1fd355ab4fe7\",\"name\":\"S\u00e9bastien Oreiller\",\"image\":{\"@type\":\"ImageObject\",\"inLanguage\":\"en-US\",\"@id\":\"https:\\\/\\\/secure.gravatar.com\\\/avatar\\\/1ec4f6f5174212f0d64af2c7eb2077f6c9d3bf6cd875513625fd3f2fabf5c1d5?s=96&d=identicon&r=g\",\"url\":\"https:\\\/\\\/secure.gravatar.com\\\/avatar\\\/1ec4f6f5174212f0d64af2c7eb2077f6c9d3bf6cd875513625fd3f2fabf5c1d5?s=96&d=identicon&r=g\",\"contentUrl\":\"https:\\\/\\\/secure.gravatar.com\\\/avatar\\\/1ec4f6f5174212f0d64af2c7eb2077f6c9d3bf6cd875513625fd3f2fabf5c1d5?s=96&d=identicon&r=g\",\"caption\":\"S\u00e9bastien Oreiller\"},\"url\":\"https:\\\/\\\/leregardlibre.com\\\/en\\\/author\\\/sebastien-oreiller\\\/\"}]}<\/script>\n<!-- \/ Yoast SEO Premium plugin. -->","yoast_head_json":{"title":"\u00abFor everything to stay the same, everything has to change\u00bb.\u00bb","robots":{"index":"index","follow":"follow","max-snippet":"max-snippet:-1","max-image-preview":"max-image-preview:large","max-video-preview":"max-video-preview:-1"},"canonical":"https:\/\/leregardlibre.com\/en\/cinema\/films\/for-everything-to-stay-the-same-everything-has-to-change\/","og_locale":"en_US","og_type":"article","og_title":"\u00abPour que tout reste comme avant, il faut que tout change\u00bb","og_description":"Inspir\u00e9 du roman de Giuseppe Tomasi di Lampedusa, Le Gu\u00e9pard est s\u00fbrement l\u2019une des cr\u00e9ations iconiques du cin\u00e9aste italien Luchino...","og_url":"https:\/\/leregardlibre.com\/en\/cinema\/films\/for-everything-to-stay-the-same-everything-has-to-change\/","og_site_name":"Le Regard Libre","article_publisher":"https:\/\/www.facebook.com\/leregardlibre\/","article_published_time":"2016-02-15T07:00:01+00:00","article_modified_time":"2025-12-04T22:02:36+00:00","og_image":[{"width":1500,"height":1067,"url":"https:\/\/leregardlibre.com\/wp-content\/uploads\/2017\/04\/le-guc3a9pard.jpg","type":"image\/jpeg"}],"author":"S\u00e9bastien Oreiller","twitter_card":"summary_large_image","twitter_creator":"@LeRegardLibre","twitter_site":"@LeRegardLibre","twitter_misc":{"Written by":"S\u00e9bastien Oreiller","Est. reading time":"4 minutes"},"schema":{"@context":"https:\/\/schema.org","@graph":[{"@type":"Article","@id":"https:\/\/leregardlibre.com\/cinema\/films\/pour-que-tout-reste-comme-avant-il-faut-que-tout-change\/#article","isPartOf":{"@id":"https:\/\/leregardlibre.com\/cinema\/films\/pour-que-tout-reste-comme-avant-il-faut-que-tout-change\/"},"author":{"name":"S\u00e9bastien Oreiller","@id":"https:\/\/leregardlibre.com\/#\/schema\/person\/66eab886a6544870b69d1fd355ab4fe7"},"headline":"\u00abPour que tout reste comme avant, il faut que tout change\u00bb","datePublished":"2016-02-15T07:00:01+00:00","dateModified":"2025-12-04T22:02:36+00:00","mainEntityOfPage":{"@id":"https:\/\/leregardlibre.com\/cinema\/films\/pour-que-tout-reste-comme-avant-il-faut-que-tout-change\/"},"wordCount":748,"commentCount":0,"publisher":{"@id":"https:\/\/leregardlibre.com\/#organization"},"image":{"@id":"https:\/\/leregardlibre.com\/cinema\/films\/pour-que-tout-reste-comme-avant-il-faut-que-tout-change\/#primaryimage"},"thumbnailUrl":"https:\/\/leregardlibre.com\/wp-content\/uploads\/2017\/04\/le-guc3a9pard.jpg","keywords":["Alain Delon","Claudia Cardinale","Sicile"],"articleSection":["Films"],"inLanguage":"en-US","potentialAction":[{"@type":"CommentAction","name":"Comment","target":["https:\/\/leregardlibre.com\/cinema\/films\/pour-que-tout-reste-comme-avant-il-faut-que-tout-change\/#respond"]}]},{"@type":"WebPage","@id":"https:\/\/leregardlibre.com\/cinema\/films\/pour-que-tout-reste-comme-avant-il-faut-que-tout-change\/","url":"https:\/\/leregardlibre.com\/cinema\/films\/pour-que-tout-reste-comme-avant-il-faut-que-tout-change\/","name":"\u00abFor everything to stay the same, everything has to change\u00bb.\u00bb","isPartOf":{"@id":"https:\/\/leregardlibre.com\/#website"},"primaryImageOfPage":{"@id":"https:\/\/leregardlibre.com\/cinema\/films\/pour-que-tout-reste-comme-avant-il-faut-que-tout-change\/#primaryimage"},"image":{"@id":"https:\/\/leregardlibre.com\/cinema\/films\/pour-que-tout-reste-comme-avant-il-faut-que-tout-change\/#primaryimage"},"thumbnailUrl":"https:\/\/leregardlibre.com\/wp-content\/uploads\/2017\/04\/le-guc3a9pard.jpg","datePublished":"2016-02-15T07:00:01+00:00","dateModified":"2025-12-04T22:02:36+00:00","breadcrumb":{"@id":"https:\/\/leregardlibre.com\/cinema\/films\/pour-que-tout-reste-comme-avant-il-faut-que-tout-change\/#breadcrumb"},"inLanguage":"en-US","potentialAction":[{"@type":"ReadAction","target":["https:\/\/leregardlibre.com\/cinema\/films\/pour-que-tout-reste-comme-avant-il-faut-que-tout-change\/"]}]},{"@type":"ImageObject","inLanguage":"en-US","@id":"https:\/\/leregardlibre.com\/cinema\/films\/pour-que-tout-reste-comme-avant-il-faut-que-tout-change\/#primaryimage","url":"https:\/\/leregardlibre.com\/wp-content\/uploads\/2017\/04\/le-guc3a9pard.jpg","contentUrl":"https:\/\/leregardlibre.com\/wp-content\/uploads\/2017\/04\/le-guc3a9pard.jpg","width":1500,"height":1067},{"@type":"BreadcrumbList","@id":"https:\/\/leregardlibre.com\/cinema\/films\/pour-que-tout-reste-comme-avant-il-faut-que-tout-change\/#breadcrumb","itemListElement":[{"@type":"ListItem","position":1,"name":"Accueil","item":"https:\/\/leregardlibre.com\/"},{"@type":"ListItem","position":2,"name":"\u00abPour que tout reste comme avant, il faut que tout change\u00bb"}]},{"@type":"WebSite","@id":"https:\/\/leregardlibre.com\/#website","url":"https:\/\/leregardlibre.com\/","name":"Le Regard Libre","description":"Switzerland's first monthly debate magazine","publisher":{"@id":"https:\/\/leregardlibre.com\/#organization"},"potentialAction":[{"@type":"SearchAction","target":{"@type":"EntryPoint","urlTemplate":"https:\/\/leregardlibre.com\/?s={search_term_string}"},"query-input":{"@type":"PropertyValueSpecification","valueRequired":true,"valueName":"search_term_string"}}],"inLanguage":"en-US"},{"@type":"Organization","@id":"https:\/\/leregardlibre.com\/#organization","name":"Le Regard Libre","url":"https:\/\/leregardlibre.com\/","logo":{"@type":"ImageObject","inLanguage":"en-US","@id":"https:\/\/leregardlibre.com\/#\/schema\/logo\/image\/","url":"https:\/\/leregardlibre.com\/wp-content\/uploads\/2025\/08\/logo-rl-icone-neg.jpeg","contentUrl":"https:\/\/leregardlibre.com\/wp-content\/uploads\/2025\/08\/logo-rl-icone-neg.jpeg","width":557,"height":556,"caption":"Le Regard Libre"},"image":{"@id":"https:\/\/leregardlibre.com\/#\/schema\/logo\/image\/"},"sameAs":["https:\/\/www.facebook.com\/leregardlibre\/","https:\/\/x.com\/LeRegardLibre","https:\/\/www.linkedin.com\/company\/le-regard-libre","https:\/\/www.instagram.com\/leregardlibre\/","http:\/\/t.me\/leregardlibre","https:\/\/youtube.com\/channel\/UC6HzGPomj1LsUmlz-sJtITQ"],"description":"Le Regard Libre is a Swiss monthly magazine for intellectual and cultural debate. Its editorial team is young, voluntary, liberal and pluralist. The magazine appears online and in print. Its language is French.","email":"redaction@leregardlibre.com","legalName":"Le Regard Libre","foundingDate":"2014-01-01","numberOfEmployees":{"@type":"QuantitativeValue","minValue":"11","maxValue":"50"},"publishingPrinciples":"https:\/\/leregardlibre.com\/a-propos\/notre-manifeste\/","ownershipFundingInfo":"https:\/\/leregardlibre.com\/mentions-legales\/","actionableFeedbackPolicy":"https:\/\/leregardlibre.com\/conditions-generales-de-vente\/"},{"@type":"Person","@id":"https:\/\/leregardlibre.com\/#\/schema\/person\/66eab886a6544870b69d1fd355ab4fe7","name":"S\u00e9bastien Oreiller","image":{"@type":"ImageObject","inLanguage":"en-US","@id":"https:\/\/secure.gravatar.com\/avatar\/1ec4f6f5174212f0d64af2c7eb2077f6c9d3bf6cd875513625fd3f2fabf5c1d5?s=96&d=identicon&r=g","url":"https:\/\/secure.gravatar.com\/avatar\/1ec4f6f5174212f0d64af2c7eb2077f6c9d3bf6cd875513625fd3f2fabf5c1d5?s=96&d=identicon&r=g","contentUrl":"https:\/\/secure.gravatar.com\/avatar\/1ec4f6f5174212f0d64af2c7eb2077f6c9d3bf6cd875513625fd3f2fabf5c1d5?s=96&d=identicon&r=g","caption":"S\u00e9bastien Oreiller"},"url":"https:\/\/leregardlibre.com\/en\/author\/sebastien-oreiller\/"}]}},"_links":{"self":[{"href":"https:\/\/leregardlibre.com\/en\/wp-json\/wp\/v2\/posts\/6111","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/leregardlibre.com\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/leregardlibre.com\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/leregardlibre.com\/en\/wp-json\/wp\/v2\/users\/548"}],"replies":[{"embeddable":true,"href":"https:\/\/leregardlibre.com\/en\/wp-json\/wp\/v2\/comments?post=6111"}],"version-history":[{"count":2,"href":"https:\/\/leregardlibre.com\/en\/wp-json\/wp\/v2\/posts\/6111\/revisions"}],"predecessor-version":[{"id":529822,"href":"https:\/\/leregardlibre.com\/en\/wp-json\/wp\/v2\/posts\/6111\/revisions\/529822"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/leregardlibre.com\/en\/wp-json\/wp\/v2\/media\/6182"}],"wp:attachment":[{"href":"https:\/\/leregardlibre.com\/en\/wp-json\/wp\/v2\/media?parent=6111"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/leregardlibre.com\/en\/wp-json\/wp\/v2\/categories?post=6111"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/leregardlibre.com\/en\/wp-json\/wp\/v2\/tags?post=6111"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}