{"id":6769,"date":"2014-09-15T07:00:51","date_gmt":"2014-09-15T06:00:51","guid":{"rendered":"http:\/\/leregardlibre.com\/?p=6769"},"modified":"2025-11-05T23:38:30","modified_gmt":"2025-11-05T22:38:30","slug":"antigone-or-the-tragedy-that-calls-us-to-live","status":"publish","type":"post","link":"https:\/\/leregardlibre.com\/en\/philosophie\/antigone-ou-la-tragedie-qui-appelle-a-vivre\/","title":{"rendered":"Antigone, or the tragedy that calls us to live"},"content":{"rendered":"
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Le Regard Libre N\u00b0 5 - SO\u03a6IAMICA<\/em><\/p>\n<\/div>\n<\/div>\n<\/div>\n

ANTIGONE<\/p>\n

What will my happiness be? What kind of happy woman will little Antigone become? What kind of poverty will she have to endure, day after day, to tear away her little shred of happiness with her teeth? Tell me, who will she have to lie to, who will she have to smile at, who will she have to sell herself to? Who will she have to let die while looking away?<\/em><\/p>\n<\/div>\n<\/div>\n

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\u00a0<\/p>\n<\/div>\n

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CR\u00c9ON, shrugging his shoulders.<\/p>\n

You're crazy, shut up.<\/em><\/p>\n

ANTIGONE<\/p>\n

No, I won't shut up! I want to know how I'm going to be happy too. Right now, because right now is the time to choose. You say life is so beautiful. I want to know how I'm going to live...<\/em>.<\/p>\n<\/div>\n<\/div>\n

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This simple excerpt from the tragedy of Antigone is representative of Anouilh's philosophical masterpiece. Published in 1944, this play, inspired by Sophocles, takes up the Greek myth of Antigone, daughter of Oedipus, faced with the dilemma of whether to en- ter her brother against the king's edict, and die as a result, or live and leave him without the funeral rites, wandering forever without finding rest.<\/p>\n

Let's summarize the plot: when Oedipus dies, he curses his two sons, Eteocles and Polynices, for not taking good care of their father before his death. Leaving the throne of Thebes vacant, the two brothers kill each other in their quest for power, which ultimately falls to Antigone's uncle Creon. To set an example and denounce the disorder caused by the two fratricides, he decides that Eteocles, chosen as the \u00abgood brother\u00bb, will be honored, while Polynices, the \u00abbad brother\u00bb, will be left to the scavengers without a grave. He proclaims by royal edict that anyone daring to cover the body will be punished by death, which Antigone brazenly decides to do, despite the threats. She dies, taking with her her fianc\u00e9 H\u00e9mon and her aunt Eurydice, who commits suicide on learning of her son's death.<\/p>\n

In Sophocles' case, the main issue is the struggle between Creon's politics, symbolizing the human laws he believes to be infallible, and the divine laws - such as the right to last respects - that Antigone defends. The story is also a plea against excess or hybris<\/em>This is because human beings, through their brazenness and pride, disrupt the order of the world, create chaos and find themselves punished by the gods. The proof is in this family, where three generations (La\u00efos, \u0152dipe, Antigone) will trigger and suffer divine wrath.<\/p>\n

Twenty-five centuries later, Anouilh \u00abdusts off\u00bb the tragedy to give it new meanings, depending on the context in which the reader places it. Published during the Occupation, Antigone seemed to denounce the Germans, while at the Liberation, she was seen as an anarchist who chose the easy way out by committing suicide. Today, she could represent the struggle for the status of women, or, by the addition - perhaps too extreme - feminism. This field is just one example of the subjects that could be linked to this play; today, it would be perfectly legitimate to use Antigone to address political issues, such as the qualities that every governor should possess, or societal issues, such as suicide, whether considered or not.<\/p>\n

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The play's atmosphere has been modernized and softened (sometimes turning comic or absurd, depending on the anachronisms used), and the characters have been transformed: King Creon is conciliatory, understanding, a bon vivant, prone to self-doubt and self-confessed. Unlike Sophoclean Creon, he tries to save his niece, vainly attempting to reason with her. L\u2019Antigone<\/em> of the XXth<\/sup> century is much more complex than that of the fourthth<\/sup>, and therefore far more interesting. The outrage against Polynices is merely an alibi, an excuse, to justify her desire to die, which she feels without really knowing the cause or how to remedy. The real problem is existential and universal, not specific to the story of this king's daughter.<\/p>\n

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THE CHOIR<\/p>\n

Don't let Antigone die, Creon! We'll all be wearing this wound on our sides for centuries to come.<\/em><\/p>\n

CR\u00c9ON<\/p>\n

She was the one who wanted to die. None of us was strong enough to make her live. I understand now that Antigone was meant to be dead. She herself may not have known it, but Polynices was just a pretext. When she had to give it up, she found something else right away. What mattered to her was to refuse and die.<\/em><\/p>\n

THE CHOIR<\/p>\n<\/div>\n<\/div>\n

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She's a child, Creon.<\/em><\/p>\n

CR\u00c9ON<\/p>\n

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What do you want me to do for her? Condemn her to live?<\/em><\/p>\n

Antigone is both the archetype of \u00abmal de vivre\u00bb and the paradox of existence: at the age of twenty, when she should be blossoming and enjoying her youth, she finds herself caught up in unanswered questions, the fear of growing old, of dying, of being gradually abandoned by her fianc\u00e9, H\u00e9mon, as everyday life settles in. She also raises the question of personal and collective freedom: is the desire that constantly grips her nothing but idealism? Is it possible to live \u00abwithout faith or law\u00bb, at will, and with royal status? The answer is obvious: no. The heroine's tragic end is merely an invitation to become aware of the boundaries between Antigone and those closest to her, between the individual and the collective.<\/p>\n

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H\u00c9MON<\/p>\n

Do you think I could live without her? Do you think I'll accept your life? And every day, from morning till night, without her. And your restlessness, your chatter, your emptiness, without her.<\/em><\/p>\n

CR\u00c9ON<\/p>\n

You'll have to come to terms with it sometime, Hemon. Each of us has a day, more or less sad, more or less distant, when we must finally accept being a man. For you, it's today... And here you are in front of me with those tears at the edge of your eyes and your heart aching my little boy, for the last time... When you turn away, when you cross that threshold later, it'll be over.<\/em><\/p>\n

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Surprisingly, the reader and viewer, despite death, misfortune, suffering, misunderstanding - in a word, despite the tragedy of the situation - find themselves humanized by this story. Perhaps it's that famous catharsis<\/em> (literally, purification) that theater brings about. Man, faced with his own setbacks or unattainable ideals, confronted with his own destiny, realizes for himself that his unreasonable actions will bring him nothing but trouble.<\/p>\n

Human beings will never find the answers in the extreme and inordinate ambitions that inhabit them, like those tragic heroes. The solution lies in moderation, balance and harmony.<\/p>\n

Food for thought.<\/p>\n

Photo credit: \u00a9 International Festival of Ancient Greek Drama<\/span><\/em><\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>","protected":false},"excerpt":{"rendered":"

Cynicism versus unattainable ideals<\/p>","protected":false},"author":1,"featured_media":13788,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[11566],"tags":[713345],"class_list":["post-6769","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-philosophie","tag-tragedie"],"acf":[],"yoast_head":"\nAntigone, ou la trag\u00e9die qui appelle \u00e0 vivre<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/leregardlibre.com\/en\/philosophy\/antigone-or-the-tragedy-that-calls-us-to-live\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Antigone, ou la trag\u00e9die qui appelle \u00e0 vivre\" \/>\n<meta property=\"og:description\" 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