{"id":9269,"date":"2017-06-07T10:55:53","date_gmt":"2017-06-07T08:55:53","guid":{"rendered":"http:\/\/leregardlibre.com\/?p=9269"},"modified":"2025-12-04T23:01:58","modified_gmt":"2025-12-04T22:01:58","slug":"double-lamant-from-sex-to-torment","status":"publish","type":"post","link":"https:\/\/leregardlibre.com\/en\/cinema\/films\/double-lamant-from-sex-to-torment\/","title":{"rendered":"\u00abL'Amant double\u00bb, from sex to torment"},"content":{"rendered":"<p><em>Cinema Wednesdays - <a href=\"https:\/\/leregardlibre.com\/en\/tag\/loris-musumeci\/\">Loris S. Musumeci<\/a><\/em><\/p>\n\n\n\n<blockquote class=\"wp-block-quote is-layout-flow wp-block-quote-is-layout-flow\"><p>\u00abAlas, Chloe, there are no monsters, there are only human beings, like you, me and Paul.\u00bb<\/p><\/blockquote>\n\n\n\n<p class=\"has-drop-cap\">The monstrosity, Chlo\u00e9 - played by Marine Vacth, sex symbol of <em>Young and pretty<\/em> - knows her through her excruciating stomachaches. She's been on a multitude of diets, even giving up gluten, but nothing helps. Vagina under observation on close-up screen. \u00abI think it's mostly psychological, in your head,\u00bb says her gynecologist. So she sends her to a psychoanalyst, Paul Meyer - J\u00e9r\u00e9mie Renier, part of him anyway.<\/p>\n\n\n\n<!--more Lire la suite de la critique-->\n\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe title=\"L&#039;AMANT DOUBLE Trailer (2017)\" width=\"1000\" height=\"563\" src=\"https:\/\/www.youtube.com\/embed\/BBH61B5yf1Y?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n\n\n<p>Therapy proceeds gently, with kindness and listening. Too much kindness, which ends up uniting doctor and patient under Aphrodite. Fortunately, troubled Chlo\u00e9 is better. Her pain has burned away under the fire of love. She moves in with Paul, and even finds a job as a janitor at a contemporary art museum. The couple translates the joy of a soothing relationship into incessant, unrestrained copulation. Paul even asks Chlo\u00e9 to marry him! Thrilled by so much affection, she accepts. But it all breaks apart when she leaves the museum where she works and sees her partner with another woman. He denies it. \u00abIt wasn't me.\u00bb<\/p>\n\n\n\n<p>The young woman wants to know for sure and, following some intrusive research into her future husband's affairs, she discovers that he has a twin. He, too, is a psychoanalyst. She needs to know and understand. It's a rendezvous, in secret. The surprise is confirmed: Louis Delord - J\u00e9r\u00e9mie Renier's other half - couldn't be more identical to his twin. But less fine, more incisive. \u00abWe'll see next time if you're an interesting person, or a little cunt.\u00bb Delicate, isn't it? And yet, Chloe enjoys such aggression in the appearance of the tender man she loves. But she must find out why these two brothers ignore each other so completely. A mystery of family depths.<\/p>\n\n\n\n\n\n<h3 class=\"wp-block-heading\">Divided criticism<\/h3>\n\n\n\n<p><em>The Double Lover<\/em> received two kinds of critical acclaim at Cannes: some loved it, others hated it. Fran\u00e7ois Ozon, the director, will never be unanimous. Nevertheless, there remains a more nuanced, even schizophrenic, position towards the \u00abpsycho-sexual thriller\u00bb: admiration and disgust all at once. Luscious of enigma and filthy with fornication taken to extremes. If Yann Moix is to be believed, that's a pretty good sign. Admiring but disturbed by the story of Chlo\u00e9, Paul and Louis, in <em>ONPC<\/em> (\u00abOn n'est pas couch\u00e9\u00bb, on <em>France 2<\/em>) Cannes special on May 27, he said: \u00abPerhaps the definition of a classic is a film that disturbed us at the time it was released.\u00bb<\/p>\n\n\n\n<p>A potential classic? I don't see why not. In any case, Ozon's new film has some serious flaws. Most notably, its pathetic side. From lines like \u00abWhen you look at me like that, I tell myself I exist\u00bb, which are meant to sound philosophical, or \u00abAre you mad at me?\u00bb, to \u00abI love you, my love\u00bb, worthy of the worst soap operas. And then there's the originality of seeing a shrink fall in love with his ultra-canon patient!<\/p>\n\n\n\n<p>Then there's the very arrogant side that disturbs: the poor little Parisian world has a very stressful and intense life, so inevitably it rubs up against more existential questioning leading to depression. A bit smug, the posh backdrop of the stylish capital. The attitude of the actors in the same\u2019<em>ONPC<\/em> This aspect of the film is not enhanced by Cannes. Especially that of J\u00e9r\u00e9mie Renier, who comments, cross-legged, on his own exceptional talent for playing two roles in a single story.<\/p>\n\n\n\n\n\n<h3 class=\"wp-block-heading\">Enigma of the double<\/h3>\n\n\n\n<p>Blame aside, every cinephile inevitably falls under the spell of the photography - after that of Marine Vacth! Everything in the mise-en-sc\u00e8ne is double: reflections of the Seine, of a mirror, of a gaze, of the paintings on display at the art museum. The decor of the cabinet from one twin to the other, similar and different. Everything unfolds in parallel, right down to the script, where disquieting repetitions grip the searching viewer to his seat. There is indeed a real quest for truth, which sometimes seems a foregone conclusion, sometimes light-years away. The film is playful, insofar as it encourages the construction of a puzzle that will remain unfinished. It's a real stroke of genius.<\/p>\n\n\n\n<form method=\"post\" action=\"https:\/\/newsletter.infomaniak.com\/external\/submit\" class=\"inf-form\" target=\"_blank\"><input type=\"email\" name=\"email\" style=\"display:none\" \/><input type=\"hidden\" name=\"key\" value=\"eyJpdiI6IlZXRVJGMlRGQUU2alNqUE81bitIUk5adnNVa0c4MllFTStzOHdHT1FQZ3c9IiwidmFsdWUiOiJIYzhwMUVCK1pTNnlhY3MyMmhuZlhReWJqemEwNk93blMxTjFHc0s2VHZrPSIsIm1hYyI6ImVhYTQ5N2I1M2NiYWE4NzBmNjk2NzgzYjliM2Y5NmYzM2E2ZmU3NGQxNTU1ZDFkMTU1MzY5NTdjYjE3ZTJmNTUifQ==\"><input type=\"hidden\" name=\"webform_id\" value=\"7291\"><style> .inf-main_3000311ca56a1cb93397bc676c0b7fff{ background-color:#f5f5f5; padding:25px 20px; margin:25px auto; } .inf-main_3000311ca56a1cb93397bc676c0b7fff .inf-content { margin-top:13px;} .inf-main_3000311ca56a1cb93397bc676c0b7fff h4, .inf-main_3000311ca56a1cb93397bc676c0b7fff span, .inf-main_3000311ca56a1cb93397bc676c0b7fff label, .inf-main_3000311ca56a1cb93397bc676c0b7fff input, .inf-main_3000311ca56a1cb93397bc676c0b7fff .inf-submit, .inf-main_3000311ca56a1cb93397bc676c0b7fff .inf-success p a { color:#555555; font-size:14px; } .inf-main_3000311ca56a1cb93397bc676c0b7fff h4{ font-size:18px; margin:0px 0px 13px 0px; } .inf-main_3000311ca56a1cb93397bc676c0b7fff h4, .inf-main_3000311ca56a1cb93397bc676c0b7fff label{ font-weight:bold; } .inf-main_3000311ca56a1cb93397bc676c0b7fff .inf-input { margin-bottom:7px; } .inf-main_3000311ca56a1cb93397bc676c0b7fff label { display:block;} .inf-main_3000311ca56a1cb93397bc676c0b7fff input{ height:35px; color:#999999; border: 1px solid #E9E9E9; border:none; padding-left:7px; } .inf-main_3000311ca56a1cb93397bc676c0b7fff .inf-input.inf-error label, .inf-main_3000311ca56a1cb93397bc676c0b7fff .inf-input.inf-error span.inf-message{ color: #cc0033; } .inf-main_3000311ca56a1cb93397bc676c0b7fff .inf-input.inf-error input{ border: 1px solid #cc0033; } .inf-main_3000311ca56a1cb93397bc676c0b7fff .inf-input input { width:100%;} .inf-main_3000311ca56a1cb93397bc676c0b7fff .inf-input.inf-error span.inf-message { display: block; } .inf-main_3000311ca56a1cb93397bc676c0b7fff .inf-submit { text-align:right;} .inf-main_3000311ca56a1cb93397bc676c0b7fff .inf-submit input{ background-color:#777777; color:#ffffff; border:none; font-weight: normal; height:auto; padding:7px; } .inf-main_3000311ca56a1cb93397bc676c0b7fff .inf-submit input.disabled{ opacity: 0.4; } .inf-btn { color: rgb(85, 85, 85); border: medium none; font-weight: normal; height: auto; padding: 7px; display: inline-block; background-color: white; box-shadow: 0px 1px 1px rgba(0, 0, 0, 0.24); border-radius: 2px; line-height: 1em; } .inf-rgpd { margin:25px 0px 15px 0px; color:#555555; } <\/style> <div class=\"inf-main_3000311ca56a1cb93397bc676c0b7fff\"> <h4>NEWSLETTER DU REGARD LIBRE<\/h4> <span>Receive our articles every Sunday.<\/span> <div class=\"inf-success\" style=\"display:none\"> <h4>Your subscription to our weekly newsletter has been successfully registered!<\/h4> <p> <a href=\"#\" class=\"inf-btn\">\u00ab<\/a> <\/p> <\/div> <div class=\"inf-content\"> <div class=\"inf-input inf-input-text\"> <input type=\"text\" name=\"inf[1]\" data-inf-meta = \"1\" data-inf-error = \"Merci de renseigner une adresse email\" required=\"required\" placeholder=\"Email\" > <\/div> <div class=\"inf-submit\"> <input type=\"submit\" name=\"\" value=\"Sign up\"> <\/div> <\/div> <\/div> <\/form>\n\n\n\n<p>As for the theme, where twins, blood and the revelation of the past tear at the fabric of a genealogy that claims to have no link to the present, this is Mouawad converted to cinema. At times, it's as if we were in the tragic tetralogy of <em>Blood of Promises<\/em>. And here too, opinions are divided between a style that's repulsive because it's too complex, but bewitching because of its highly literary plot. It was to be expected: <em>The Double Lover<\/em> deserves its differences.<\/p>\n\n\n\n<blockquote class=\"wp-block-quote is-layout-flow wp-block-quote-is-layout-flow\"><p>\u00abSome people discover, when they're adults, that they carry their brother's foetus inside them. Cannibal twins.\u00bb<\/p><\/blockquote>\n\n\n\n<p><em>Write to the author: <a href=\"mailto:loris.musumeci@leregardlibre.com\">loris.musumeci@leregardlibre.com<\/a><\/em><\/p>\n\n\n\n<p>Photo credit: \u00a9 Mars Films<\/p>","protected":false},"excerpt":{"rendered":"<p>Les mercredis du cin\u00e9ma \u2013 Loris S. Musumeci \u00abH\u00e9las, Chlo\u00e9, il n\u2019y a pas de monstres, il n\u2019y a que&#8230;<\/p>","protected":false},"author":18,"featured_media":9298,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[644355829],"tags":[168529,497809764,61026,437257,940893,353222,3602226,522155,812301,388542,22848,644358362,58176,11183],"class_list":["post-9269","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-films","tag-cannes","tag-cannes-2017","tag-cinema-francais","tag-classique","tag-festival-de-cannes","tag-francois-ozon","tag-jeremie-renier","tag-maladie","tag-mystere","tag-psychanalyse","tag-psychologie","tag-sante-mentale","tag-therapie","tag-thriller"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO Premium plugin v26.9 (Yoast SEO v26.9) - https:\/\/yoast.com\/product\/yoast-seo-premium-wordpress\/ -->\n<title>\u00abL\u2019Amant double\u00bb, du sexe aux tourments<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/leregardlibre.com\/en\/cinema\/films\/double-lamant-from-sex-to-torment\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"\u00abL\u2019Amant double\u00bb, du sexe aux tourments\" \/>\n<meta property=\"og:description\" content=\"Les mercredis du cin\u00e9ma \u2013 Loris S. 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