{"id":43334,"date":"2021-11-01T17:14:21","date_gmt":"2021-11-01T16:14:21","guid":{"rendered":"https:\/\/leregardlibre.com\/?post_type=product&#038;p=43334"},"modified":"2024-07-10T17:31:16","modified_gmt":"2024-07-10T15:31:16","slug":"le-regard-libre-no-79","status":"publish","type":"product","link":"https:\/\/leregardlibre.com\/en\/produit\/le-regard-libre-no-79\/","title":{"rendered":"Le Regard Libre - N\u00ba 79"},"content":{"rendered":"<p>Paper copy<br \/>\nNovember 2021 edition<br \/>\nChic paper magazine format (68 pages)<\/p>\n<hr \/>\n<p class=\"p1\"><strong>CONTENTS:<\/strong><\/p>\n<p class=\"p1\"><b>06 |<\/b> Editorial by Jonas Follonier: Covid management in Switzerland: too much federalism... or not enough?<br \/>\n<b>07 |<\/b> Pascal Couchepin's reading: <i>Apocalypse never<br \/>\n<\/i><b>08 |<\/b> <span class=\"s1\">St\u00e9phane Albelda: \u00abWhether in the theater or in teaching, the essence of gesture is the same: transmission.\u00bb<\/span><\/p>\n<p class=\"p2\"><b>Politics, philosophy and debate<br \/>\n<\/b><b>12 |<\/b> Ethiopia: from promises of prosperity to civil war<br \/>\n<b>16 |<\/b> <span class=\"s1\"><i>12 new rules for a life<\/i>More personal development?<br \/>\n<\/span><b>19 |<\/b> Nietzsche, the poet of singing tomorrows<\/p>\n<p class=\"p2\"><b>Literature<br \/>\n<\/b><b>22 |<\/b> Yann Moix: \u00abEvery time someone's tried to kill me, I've gotten away with it\u00bb.\u00bb<br \/>\n<b>28 |<\/b> <i>Love in times of crisis<\/i> or the painful duty of choice<br \/>\n<b>30 |<\/b> Becoming free in Turkey, for the love of Madame Vie<br \/>\n<b>32 |<\/b> Javier Cercas: \u00abA writer who doesn't take risks isn't a real writer\u00bb.\u00bb<\/p>\n<p class=\"p2\"><b>Unusual stories<br \/>\n<\/b><b>42 |<\/b> Reading between the lines of Eddy Mitchell's Johnny single<br \/>\n<b>43 |<\/b> A mole at Ramuz<\/p>\n<p class=\"p2\"><b>Music<br \/>\n<\/b><b>44 |<\/b> Mozart, less a classic than a harbinger of Romanticism<br \/>\n<b>46 |<\/b> Scorpions: what can we expect from their new album?<\/p>\n<p class=\"p2\"><b>Visual arts<br \/>\n<\/b><b>48 |<\/b> Why continue to visit contemporary art fairs?<br \/>\n<b>50 |<\/b> The work of art: rupture and contemplation<br \/>\n<b>54 |<\/b> <span class=\"s2\">Bernard L\u00e9chot's photo essay: Carrara, the vertigo of marble<\/span><\/p>\n<p class=\"p2\"><b>60 |<\/b> Jonathan Edwards: \u00abSharing experience is infinite\u00bb.\u00bb<br \/>\n<b>66 |<\/b> Subscription stub, sponsorship form<br \/>\n<b>67 |<\/b> Impressum<br \/>\n<b>68 |<\/b> Quotes<\/p>","protected":false},"excerpt":{"rendered":"<p>Exemplaire papier Edition de novembre 2021 Format magazine papier chic (68 pages) SOMMAIRE: 06 | L\u2019\u00e9dito de Jonas Follonier: Gestion&#8230;<\/p>","protected":false},"featured_media":43336,"comment_status":"open","ping_status":"closed","template":"","meta":{"_acf_changed":false},"product_brand":[],"product_cat":[644340392],"product_tag":[],"class_list":["post-43334","product","type-product","status-publish","has-post-thumbnail","product_cat-numeros","first","instock","shipping-taxable","purchasable","product-type-variable"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO Premium plugin v28.5 (Yoast SEO v28.5) - 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