Films
Red, Bond, Blue: red and blue in the new 007
Two colors illustrate the end of the myth
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Auteur: Anaïs Sierro
ANAïS SIERRO
Death doesn't pay the bill
Les bouquins du mardi – Anaïs Sierro Bien que leurs terrasses aient rouvert, les bars demeurent encore fermés. Quoi de...
«Sigmund Freud noho ma ka pale umauma» emitted the necrophone*!
Les bouquins du mardi – Anaïs Sierro Qui est là? est certainement la question que l’on pourrait poser à l’auteure,...
Christmas songs: catchy or endearing?
The Christmas season has been over for a while now. But there's hardly a Christmas song that isn't still playing in our heads. The ones we hate in the stores or the ones we cherish under the tree. So why is our relationship with them so contradictory? And why does the music market continue to ride the «Christmas» wave? Perhaps and simply because, like every musical style, there are sub-categories. And in this case, there are two main ones: «melancholy» and «entertaining».
«Belladonna»: endure, learn, then grow
«Belladonna is one of those books that just slams.
The man who penetrated my dreams and shook my passions
It's to the sounds of my record player squeaking, Bechet's clarinet and the night rain that I'm about to write this article. The mood is set. Vintage, jazz, romanticism and a theme, that of a director who has fascinated me for many years: Woody Allen. He was the first and only director to offer me films that seemed to come out of my head and his hallucinatory reflections, but also the first to penetrate my dreams and passions. Here's Allen from the «point of view» of what we'd call: an admirer.
As if you had to go through a lot to be credible in a novel.
The art of literary victimization
«Camus's »L'Etranger": what if Meursault's trial was the wrong one?
Tordue que cette réflexion? Je vous l'accorde.
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