Unpublished article - Anaïs Sierro
Dying can wait is a farewell to the actor Daniel Craig as much as to James Bond and everything he stood for. An interpretation of two colors - red and blue - present in filigree throughout the new 007 gives a better understanding of what can engender this feeling.
Les bouquins du mardi - Anaïs Sierro Although their terraces have reopened, the bars are still closed. What better way to find out what's going on than with Sing...
Les bouquins du mardi - Anaïs Sierro Who's there? is certainly the question one might ask author Carla Demierre after reading her ten fictions. Who is...
Le Regard Libre N° 70 - Anaïs Sierro
The Christmas season has been over for a while now. But there's hardly a Christmas song that isn't still playing in our heads. The ones we hate in the stores or the ones we cherish under the tree. So why is our relationship with them so contradictory? And why does the music market continue to ride the «Christmas» wave? Perhaps and simply because, like every musical style, there are sub-categories. And in this case, there are two main ones: «melancholy» and «entertaining».
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«Belladonna is one of those books that just slams.
Genius wrapped in perfect comm’.
Le Regard Libre N° 66 - Anaïs Sierro
It's to the sounds of my record player squeaking, Bechet's clarinet and the night rain that I'm about to write this article. The mood is set. Vintage, jazz, romanticism and a theme, that of a director who has fascinated me for many years: Woody Allen. He was the first and only director to offer me films that seemed to come out of my head and his hallucinatory reflections, but also the first to penetrate my dreams and passions. Here's Allen from the «point of view» of what we'd call: an admirer.
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The art of literary victimization
How twisted is that thinking? I'll give you that.
A journey into an intimate relationship.
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