When you think of the end of the world in literature, two things immediately spring to mind: Joël Dicker or the great dystopias. It's neither of these that we're going to discuss here. In the same way that fantasy and science fiction are intimately linked to the apocalyptic vision of humanity, so-called «white» literature is also increasingly taking up the subject. And if the world is being turned upside down, the two novels we're going to look at are also turning the reader upside down. Each in its own way.
Un monde dévasté subitement par une explosion. C’est le décor, classique, du roman Et toujours les fôrets de Sandrine Collette. Un monde devenu inhabitable dans lequel pourtant Corentin devra trouver la force et les subterfuges pour survivre. Jérôme Leroy campe dans Vivonne un tout autre univers: celui d’un continent déchiré par la guerre civile, au sein duquel le chaos et la violence r
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