French musicology, frozen in a certain dogmatism, is drifting away from the very essence of musical language. That, at least, is James Lyon's point of view. In this article, the music historian defends his resolutely personal reading of the discipline.
There can be no harmony without melody. Melody comes first in music, and the English term "tune" helps us to better grasp its essence, which is both sonic and semantic.
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Swiss music embodies a decentralized Swiss spirit, born of the cohabitation of the country's cultural diversity.
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Contrary to what the famous Russian composer claimed, the fifth art does express something, even without words. How this is achieved, however, is open to debate. Here's the beginning of a hypothesis.
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