At a time when «trial films» seem to be making a comeback, Cédric Kahn plays the radical card with a solid, brilliant and funny film about the French judicial machine of the mid-1970s.
In Cédric Kahn's new film, currently in theaters, Catherine Deneuve plays a grandmother who wants to celebrate her birthday surrounded by all her nearest and dearest. But that's without counting on the fact that family is hell, as someone else might have said.
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