Le Regard Libre N° 46 - Jonas Follonier
Twenty-eight years was not enough time for the great French melodist to perfect the masterpiece he promised his fans. His previous album, Kâmâ-Sutrâ (1990), will undoubtedly remain his last great success, including the nugget Goodbye Marylou. Perhaps it's precisely because he dawdled too much in the studio, first ideas often being the best. In any case, there's a lot of good stuff on this new album. opus, entitled Finally!. We've decided to take a closer look at each of the eleven tracks on the album, which may give us a better understanding of what makes Michel Polnareff such a genius and what makes him so ridiculous: his eternal excess.