Brick: a building material made of clay, in the shape of a rectangular parallelepiped, says the dictionary. Which forgets the function of blotting paper, as the walls become impregnated with lettering from another time, telling the story of the city before. Examples from across the Atlantic and antichronologically from Denver, Colorado, to Flagstaff, Arizona.
Neige en couleurs, ou plus précisément, neige et couleurs, lesquelles éclatent d’autant plus quand le «blanc manteau», comme dit la chanson, tente de les recouvrir. Promenade non pas sur le Kilimandjaro, mais en ville de Neuchâtel.
La musique symphonique est un flot vaste, tempétueux. Et si l’on remontait à sa source, au centre de son jaillissement, juste à côté des musiciennes, des musiciens, des choristes? Immersion au cœur de l’Ensemble symphonique neuchâtelois (ESN) et du Chœur Cantabile.
French photographer and videographer Alexandre Sattler has been banned from the social network, which considered some of his photos to be «pedocriminal». Here, he recounts his misadventure and denounces GAFA's use of artificial intelligence.
«A long time ago, we used to say »fairy electricity" to evoke a new and almost miraculous form of energy. Today, despite the threat of blackouts, we've become accustomed to its tidiness, sheathing and padlocking. But sometimes, at the bend in the road, we discover works of art of a sort, somewhere between carefree ramshackle and unexpectedly aesthetic. Stopovers in Tucson, Arizona, Guadeloupe and the Pyrénées-Orientales.
My first series of images for Le Regard Libre was devoted to the white marble quarries of Carrara. A year later, I set course for Caunes-Minervois, in the Aude department, to discover a more discreet deposit, which has nevertheless supplied incarnate marble to such famous landmarks as the Grand Trianon in Versailles, the Arc de Triomphe du Carrousel in Paris and the Great Mosque in Cordoba...
From Icarus to Leonardo da Vinci to wingsuit enthusiasts, humans have always dreamed of flying like a bird. And birds, for their part, seem to love taking a break from human constructions. The Italian example, with sculptural ambiences in the heart of Rome, and a Hitchcockian atmosphere at a freeway service area.
PHOTOREPORTAGE, Bernard Léchot | Même si l’on sait que là-bas, de l’autre côté, il y a un autre continent, la mer donne toujours un sentiment d’infini. Que les objets un peu incongrus qui la bordent ne parviennent pas à faire taire. Photos prises à Cabo de Gata, en Andalousie, non loin d’une autre mer, assez hideuse celle-ci, la «Mer de plastique» des serres de la province d’Almeria.
Dans une ville, le temps qui passe peut se raconter de mille façons. A travers une sculpture affolante, comme L’heure...
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