En 1992, Zurich fermait le parc Platzspitz, devenu, à l’ombre du Musée national suisse, le haut-lieu crasseux de la déchéance, de la violence et de l’overdose.
At certain times of the year, homo touristicus has a tendency, despite his good ecological resolutions, to fly off to seek the sun elsewhere. This astonishing biped sometimes seeks solitude, but more often finds itself in tightly packed flocks wading in the water of its favorite pond. Just like the phoenicopterus roseus, a partial migrant better known as the pink flamingo. Images taken at the Parc ornithologique du Pont de Gau, Camargue.
If the «filles de Camaret» have been immortalized in a song that's more bawdy than downright poetic, it's indeed a form of poetry - but rusty, faded, salty, abandoned - that haunts the boat graveyard at Camaret-Sur-Mer, at the end of the Crozon peninsula in Brittany's Finistère region.
Brick: a building material made of clay, in the shape of a rectangular parallelepiped, says the dictionary. Which forgets the function of blotting paper, as the walls become impregnated with lettering from another time, telling the story of the city before. Examples from across the Atlantic and antichronologically from Denver, Colorado, to Flagstaff, Arizona.
Neige en couleurs, ou plus précisément, neige et couleurs, lesquelles éclatent d’autant plus quand le «blanc manteau», comme dit la chanson, tente de les recouvrir. Promenade non pas sur le Kilimandjaro, mais en ville de Neuchâtel.
Symphonic music is a vast, tempestuous stream. What if we went back to its source, to the center of its gush, right next to the musicians and choristers? Immerse yourself in the heart of the Ensemble symphonique neuchâtelois (ESN) and the Cantabile Choir.
French photographer and videographer Alexandre Sattler has been banned from the social network, which considered some of his photos to be «pedocriminal». Here, he recounts his misadventure and denounces GAFA's use of artificial intelligence.
«A long time ago, we used to say »fairy electricity" to evoke a new and almost miraculous form of energy. Today, despite the threat of blackouts, we've become accustomed to its tidiness, sheathing and padlocking. But sometimes, at the bend in the road, we discover works of art of a sort, somewhere between carefree ramshackle and unexpectedly aesthetic. Stopovers in Tucson, Arizona, Guadeloupe and the Pyrénées-Orientales.
My first series of images for Le Regard Libre was devoted to the white marble quarries of Carrara. A year later, I set course for Caunes-Minervois, in the Aude department, to discover a more discreet deposit, which has nevertheless supplied incarnate marble to such famous landmarks as the Grand Trianon in Versailles, the Arc de Triomphe du Carrousel in Paris and the Great Mosque in Cordoba...
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