According to a 2019 study, 90% of people keep an eye on their phone while watching TV. This pushes screenwriters to focus on spoken text rather than image.
This month, I'm taking the opposite tack from my previous column, which saw artificial intelligence as a danger to cinema, by inviting you to rediscover a series where AI ...
On the menu this month is a fictitious and unlikely encounter: that between my former film history teacher and virtual actress Tilly Norwood. He mourns the silent films of the '20s, she embodies ...
Does a documentary imply a greater responsibility for the filmmaker than a work of fiction? Yes, without a doubt - at least, that's the premise I'm defending after ...
This month, our columnist explores the apparent contradiction between declining cinema attendance and the growing success of film festivals. (more…) This content is reserved for ...
Having deplored the laziness of remakes and endless film sequels, our columnist now tackles the pitfall of adaptations of literary works. Or when hubris pushes one to want to make ...
When the leader of a nation proposes to broadcast a work of fiction to educate students, it's time to ask whether it's a good idea to rely on this ...
Remake, prequel, sequel, spin-off: these neologisms are all too familiar to contemporary audiences. Whether at the cinema or on platforms, films and series recycle the recipes of the past, a sign of ...
Like no other genre, the Western reveals the extent to which the United States is focused on itself and its past. Each film is like the umpteenth self-therapy session, often navel-gazing - ...
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