Paléo 2019

Patrick Bruel's «c'est ouf» (it's amazing!) and leaps into the air are almost reminiscent of Maître Gims. Worse still, his famous false modesty still sticks to him - that's the second downside.

Under the Détour tent, the stage is bare: just a mixing desk in the middle and rows of LEDs - not LSS - hanging vertically from the sides. I took advantage of the fireworks to get a seat just a few meters from the stage, but I've no idea that it's going to save me.

Paleontologists study the remains of living beings and their historical evolution. Why not do the same with the Paléo Festival? There are human remains in this mud. It's fertile ground for a little sociological analysis. Make way for paleology.

Nova Materia is a Franco-Chilean duo whose electronic music is influenced by post-punk. Blending machines and raw percussion, they got the Détour stage dancing at the Paléo Festival on Saturday July 27.

The singer-songwriter put on a show worthy of his forty-year career in Nyon. A performance hic et nunc, with breathtaking musicians and a fine setlist. Admired by newcomers and fans alike.

The Mauskovic Dance Band is a group of five Dutch musicians. Led by Nicola Mauskovic, who defines his music as «a mix of disco, jazz and afro-beat played in a post-punk style», these «unschooled» musicians put on a wild show on the Détour stage on Wednesday, July 24. Beforehand, the drummer and composer, accompanied by a few beers, gave us some answers. Fragmented, just like their crazy music.

In her lyrics, the young woman talks about her crushes, her heartaches and her fear of death.

Emilie Zoé, from Neuchâtel by adoption, took to the Club Tent stage on Thursday July 25 at the Paléo Festival. The singer-songwriter was accompanied only by Nicolas Pittet, her drummer. Together,...