At the start of this new year, French-speaking singer-songwriter and producer Bernard Léchot presents «Impasse du bonheur», an album whose production Le Regard Libre has been following for over a year. Time for discussion, focusing on the work of an independent artist. Glass of whisky in hand, it goes without saying.
Music made of flesh and bone.
A legend of French variety, Christophe defines himself above all as a sound seeker. After a piano-voice concert at the Théâtre de Beausobre last November, he grants us a long interview, which will prove to be his last in Switzerland before his death in March.
Mozart and Bruckner were among the musical highlights.
Le Regard Libre N° 52 - Bernard Frossard Le festival de musique sacré et baroque porte son nom à merveille: Agapé,...
Paléo Festival 2019 - Lauriane Pipoz Cœur de Pirate, de son vrai nom Béatrice Martin, a su offrir une représentation...
Patrick Bruel's «c'est ouf» (it's amazing!) and leaps into the air are almost reminiscent of Maître Gims. Worse still, his famous false modesty still sticks to him - that's the second downside.
Under the Détour tent, the stage is bare: just a mixing desk in the middle and rows of LEDs - not LSS - hanging vertically from the sides. I took advantage of the fireworks to get a seat just a few meters from the stage, but I've no idea that it's going to save me.
Les paléontologues étudient les restes d'être vivants et leur évolution historique. Pourquoi ne pas faire de même avec le Paléo Festival? Il y en a, des restes d'êtres humains, dans cette boue. C'est un terreau plutôt fertile pour se lancer dans une petite analyse sociologique. Place à la paléologie.
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