At a time when «trial films» seem to be making a comeback, Cédric Kahn plays the radical card with a solid, brilliant and funny film about the French judicial machine of the mid-1970s.
When Eiichirō Oda, the author of the best-selling manga in history, announced plans to adapt his work into a live-action film, and on Netflix, his readership went wild!
After the first volume, «The City in Flames», Don Winslow returns this year with «The City of Dreams», a long journey inspired this time by Virgil's «Aeneid». Between wanderings and realizations, what is the value of this continuation of Danny Ryan's adventures?
Humorist, novelist and filmmaker, Mourad Winter made a name for himself on Instagram, where his stories made (almost) everyone howl with laughter. Today, he publishes «Les Meufs c'est des mecs bien», with a tone as irreverent as ever. But at what price?
Wes Anderson is probably the most recognizable of contemporary filmmakers. With his symmetrical shots, absurdist humor and pastel colors, the American filmmaker has established his own style. But has he locked himself into his own pattern with
Elias Belkeddar's first film, presented out of competition at Cannes 2023, Omar la fraise alternates between buddy movie, slapstick comedy, gangster film and ode to origins.
Consputed in his native country, praised in the French-speaking world, Bret Easton Ellis returns at the start of this year with a new novel, his seventh. No surprises here: it's still about disillusioned youth, violence, drugs and bourgeois boredom. A revival, really?
READ THE REVIEW (FREE ACCESS)
Spearheading elevated horror (more artistic horror cinema) since his excellent «Hereditary» (2018) and «Midsommar» (2019), Ari Aster presents «Beau is Afraid», somewhere between horrific tale and black comedy. But does the film live up to its promise over 2h59?
Consputed in his native country, praised in the French-speaking world, Bret Easton Ellis returns at the start of this year with a new novel, his seventh. No surprises here: it's still about disillusioned youth, violence, drugs and bourgeois boredom. A revival, really?
READ THE REVIEW (FREE ACCESS)
Consputed in his native country, praised in the French-speaking world, Bret Easton Ellis returns at the start of this year with a new novel, his seventh. No surprises here: it's still about disillusioned youth, violence, drugs and bourgeois boredom. A revival, really?
READ the article (FREE ACCESS)
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