Theater
Discussion with Georges Grbic
Swiss design has found its letters of nobility.
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Étiquette: Interview
Cédric Dorier: «”Le Roi se meurt” is a synthesis of existence».»
Le Regard Libre N° 56 – Ivan Garcia Dossier spécial Eugène Ionesco Dirigé depuis 2015 par Omar Porras, le Théâtre Kléber-Méleau...
Laure Mi Hyun Croset: «I'm a stylist».»
Après la publication d’une critique de «Pop-corn girl», court récit teinté d’ironie et de stéréotypes sur les déboires d’une jeune Genevoise en échange dans une banlieue de Chicago, nous poursuivons notre immersion dans l’œuvre de Laure Mi Hyun Croset. Aussi la rencontre-nous au café des Voisins à Genève, pour en apprendre d’avantage sur sa conception de son travail et de la littérature.
Anna Lemonaki: «Theater doesn't have to do anything».»
Au théâtre, «prenez ce que vous souhaitez prendre»
When Monique Rey's poetry marries René Bersier's photography
ENTRETIEN, Loris S. Musumeci | Nous sommes face à deux grands personnages, en dépit de leur humilité et de leur discrétion. Monique Rey consacre sa vie à la transmission de la culture et la création poétique; René Bersier est un photographe dont le travail contribue fortement au paysage artistique helvétique. La rencontre de ces deux passionnés remonte à bien des années. Ce qui les a menés à réaliser des livres alliant la poésie de l’une à la photographie de l’autre pour offrir au lecteur – ou peut-être au spectateur – des ouvrages de grande qualité, dont la promenades entre les pages émeut qui sait s’y immerger.
Eric Vautrin: «Racine's resonance with today's world is striking».»
Meeting with the playwright of the Théâtre de Vidy
Mathieu Fabian Gauss, an ex-Green who became PBD
He is one of the few federal election candidates to have switched parties. How does one move from the ecologist Green Party to the bourgeois-democratic Party? Discussion.
Jaha Koo, committed performer and creator of multimedia theater
Swiss stages often open up to other actors and directors from all over the world. And here we find the rare pearls of today's and tomorrow's theater. The forty-third edition of Geneva's La Bâtie festival welcomed an intriguing personality in the person of Jaha Koo. Originally from South Korea, this artist presents a multimedia theater at the crossroads of his personal trajectory, history and socio-political issues. An actor-creator, performer, video artist and musical composer, Jaha Koo has arrived in Geneva with his creation Cuckoo. It features him accompanied by three rice cookers from South Korea's popular Cuckoo brand. Gifted with words, the three cookers recount their problems and, interspersed with the artist and the video, plunge us into South Korean history, that of the 1997 financial crisis which, even today, has left its mark on Korean society. With this interview, Le Regard Libre takes you to meet the man who will undoubtedly go down as one of the great theatre-makers of this century.
Judith Zagury: «As soon as there's a method, there's a danger in working with living beings»
Following our meeting with Laetitia Dosch about the revival of her show Hate, we wanted to find out more about Corazón (the horse in Hate), and the person who runs the place where he spent his life and was raised. So, on Wednesday June 19, your editor returned to Gimel to meet Judith Zagury, co-founder of the Shanju workshop-school. An actress and playwright, Judith kindly agreed to meet us over tea to answer our questions.
Michel Siggen: «Philosophy has indeed gone mad».»
Michel Siggen, qui ne jure que par Aristote et saint Thomas, a enrichi son cours dans un lycée valaisan d'une brochure explicative sur l'essai La philosophie devenue folle de Jean-François Braunstein. Un ouvrage qui expliquerait «la crise anthropologique actuelle».
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