Meilleur film en compétition internationale au Neuchâtel International Fantastic Film Festival (NIFF) et, accessoirement, Grand Prix de la Critique, le...
Nanni Moretti's fifteenth feature film, «Vers un avenir radieux» (Towards a Bright Future) acts as a testamentary film. Beneath its false allure of comedy, the film turns into a laborious lesson in cinema. But can you blame Moretti for doing Moretti?
Pixar continues its industrial-scale production of imaginary worlds with a new concept: a city inhabited by elemental beings. A delightful film, but one that quickly gives way to adult boredom.
Wes Anderson is probably the most recognizable of contemporary filmmakers. With his symmetrical shots, absurdist humor and pastel colors, the American filmmaker has established his own style. But has he locked himself into his own pattern with
«Rodeo», Lola Quivoron's first feature film, was released on Canal+ on Tuesday May 23. Here's a look back at this favorite of the Cannes 2022 Festial jury, which nonetheless partially meets the public's expectations.
Premier film d’Elias Belkeddar, présenté en hors-compétition au Festival de Cannes 2023, Omar la fraise alterne entre buddy movie, comédie...
With her first feature film, «Plan 75», Chie Hayakawa challenges the lack of care for the elderly in today's Japanese society. By immersing her audience in a fictional Japan, the director offers a contemporary interpretation of «The Ballad of Narayama» (1983).
Spearheading elevated horror (more artistic horror cinema) since his excellent «Hereditary» (2018) and «Midsommar» (2019), Ari Aster presents «Beau is Afraid», somewhere between horrific tale and black comedy. But does the film live up to its promise over 2h59?
Despite the harsh scores played out by experts in seventh-art pedantry and the film's undeniable shortcomings, the return of «Les Trois Mousquetaires» to the big screen also marks the return of great popular French cinema. And much more besides.
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