George Miller's latest film joins the long list of his director's box-office failures. And yet, like so many others, it will undoubtedly soon be rehabilitated. Let's take a look back at the foundations of a myth with a rich universe.
Telling the story of a historical individual has led cinema into the dead end of the biopic. «Daaaaaalí!», Quentin Dupieux's new film, tries to stand out for its originality, but does it really succeed?
For his eighth film, Albert Dupontel plunges us into a political thriller, while maintaining his comic and poetic habits. A program that promises a high abstention rate.
Turning the biography of a dictator responsible for hundreds of thousands of deaths into a film is a daring gamble. All the more so when you mix dark humor and fantasy. Unfortunately, the ingredients just don't mix.
Pixar continues its industrial-scale production of imaginary worlds with a new concept: a city inhabited by elemental beings. A delightful film, but one that quickly gives way to adult boredom.
Cinema is doubly an art of light. It sculpts images, movement and rhythm. And it creates characters to embody, underline and concretize ideas and characters. With «A Forgotten Man», the fourth film by Swiss director Laurent Nègre, this light becomes history, in a limpid and sublime form.
Zurich-born Steven Michael Hayes' first feature film plunges us into the drama of an American family on the bangs of society. The film could have been a success in itself, but it goes beyond that.
Caught between the immoderation of Babylon and the portrait of Steven Spielberg in The Fabelmans, Empire of Light will hardly draw a crowd. But rest assured: you can dispense with Sam Mendes' new project in favor of its big brothers.
Delphine Lehericey's new film, which won an award at the Locarno Film Festival, moves away from drama to offer us a sensitive comedy about grief and reconstruction. Does the film strike the right balance between laughter and tears?
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