The immense Scorcese's previous film, «The Irishman», was not released in cinemas. His new work, adapted from the book «The American Note», recounting a terrible chapter in American history, can now be seen on the big screen. And what grace!
For his eighth film, Albert Dupontel plunges us into a political thriller, while maintaining his comic and poetic habits. A program that promises a high abstention rate.
At a time when «trial films» seem to be making a comeback, Cédric Kahn plays the radical card with a solid, brilliant and funny film about the French judicial machine of the mid-1970s.
Turning the biography of a dictator responsible for hundreds of thousands of deaths into a film is a daring gamble. All the more so when you mix dark humor and fantasy. Unfortunately, the ingredients just don't mix.
Meilleur film en compétition internationale au Neuchâtel International Fantastic Film Festival (NIFF) et, accessoirement, Grand Prix de la Critique, le...
Nanni Moretti's fifteenth feature film, «Vers un avenir radieux» (Towards a Bright Future) acts as a testamentary film. Beneath its false allure of comedy, the film turns into a laborious lesson in cinema. But can you blame Moretti for doing Moretti?
Pixar continues its industrial-scale production of imaginary worlds with a new concept: a city inhabited by elemental beings. A delightful film, but one that quickly gives way to adult boredom.
Wes Anderson is probably the most recognizable of contemporary filmmakers. With his symmetrical shots, absurdist humor and pastel colors, the American filmmaker has established his own style. But has he locked himself into his own pattern with
«Rodeo», Lola Quivoron's first feature film, was released on Canal+ on Tuesday May 23. Here's a look back at this favorite of the Cannes 2022 Festial jury, which nonetheless partially meets the public's expectations.
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