The octogenarian director Margarethe von Trotta, a figure of the new German cinema, signs a relentless and gripping biopic on the relationship between two other major protagonists of the 20th century German literary world: Ingeborg Bachmann and Max Frisch.
Zoe Kravitz's directorial debut, a psychological thriller, is a scathing denunciation of the «toxic masculinity» of billionaires. It's reminiscent of Jordan Peele's first opus, which used the genre to tackle racism.
Bruno Dumont has returned to our screens with nothing less than a retelling of the Star Wars myth. His film has not failed to divide audiences and press alike. With good reason.
French philosopher Valentin Husson pays tribute to the illustrious actor, who died on Sunday at the age of 88: «He fascinated me because he terrified me, and vice versa.»
Christophe Honoré's latest film features actors playing themselves. It's funny, poetic, intelligent and moving. Questioning their identity, «Marcello Mio» is universal: who hasn't dreamed of disguising themselves as someone else?
George Miller's latest film joins the long list of his director's box-office failures. And yet, like so many others, it will undoubtedly soon be rehabilitated. Let's take a look back at the foundations of a myth with a rich universe.
Alexandre Dumas' novel is brought to life in this spectacular period film, which combines the best of two worlds: the beauty of the French language and the visual mastery of Hollywood.
«The Deer’s Tooth» was screened at this year’s Cannes Film Festival. Its lead actor, Wisam Al Jafari—who won an award on the Croisette back in 2019—tells us about the Middle East without ever mentioning the war.
Telling the story of a historical individual has led cinema into the dead end of the biopic. «Daaaaaalí!», Quentin Dupieux's new film, tries to stand out for its originality, but does it really succeed?
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