Les mercredis du cinéma – Fanny Agostino Sidération, inquiétude et attente. Tel fut l’état d’esprit partagé par bon nombre de...
Article inédit – Fanny Agostino A l’occasion de son passage à Neuchâtel pour un concert à la Case à Chocs,...
Can adultery and the phantasm of a double life still be (re)visited in cinema? Antoine Barraud answers in the affirmative, engaging viewers in a thriller where madness lurks, and Virginie Efira revives the theme of identity disorder explored in «Sybil». She delivers a brilliant performance as a fiery, stubborn woman.
Les mercredis du cinéma – Fanny Agostino A quoi ressemble le quotidien des femmes en Suisse une année après la grève féministe...
Les mercredis du cinéma - Fanny Agostino We knew she was an unconditional fan, but we weren't expecting such a tribute. Valérie Lemercier...
We're not fooled by the costumes or the taste for a good word. Xavier Giannoli's adaptation of «Lost Illusions» shines with its grand spectacle allure and dazzling cast. It's a real coup at a time when classic adaptations are in short supply. A good way to dispel preconceived notions about the genre.
Les mercredis du cinéma - Fanny Agostino Is the curse about to end? The umpteenth attempt at a film adaptation...
Maladresse et puritanisme
In the elitist world of musicians, does austerity go hand in hand with high standards? With Lara Jenkins, Jan-Ole Gerster follows the daily life of an embittered 60-year-old in search of redemption. On her birthday, her son Viktor is about to give a recital to present his new compositions. At odds with her offspring - or rather, in interstellar freeze - this stepmother decides to buy the twenty or so remaining tickets and makes it her mission to distribute them before the event begins. Can the Jenkins be reconciled?
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