On the razor's edge. That's how one might sum up Cate Blanchett's role in Todd Field's new film, «Tár». She plays a Berlin-based orchestra conductor. Genius has its dark side. All you have to do is scrape off the varnish.
In 2018, Girl won three awards at the Croisette. Flemish director Lukas Dhont's new film continues his contemplation of teenage upheavals. This time, through the prism of other people's eyes. Close, the head-on collision of childhood and the world.
Known for his Palme d'Or win on the theme of abortion with «4 Months, 3 Weeks, 2 Days» (2004), Romanian director Cristian Mungui's «R.M.N.» unravels the stubborn populist resentments of a Transylvanian village under the yoke of the EU.
Lionel Baier's latest production, La dérive des continents (au sud) follows two of his previous films, Comme...
In the same vein as Waltz with Bashir (2008) and Persepolis (2007), the animated film Flee explores memory and...
Dazzling in Portrait de la jeune fille en feu, Noémie Merlant now turns her hand to directing. With Mi Iubita mon...
Quatre ans après son dernier concert à l’auditorium Stravinski, le profil svelte et le costume trois pièces sont identiques. En...
DOSSIER «SWITZERLAND, DEFINITION», Fanny Agostino | The particularities of Switzerland make it a veritable minefield for the question of identity. Unique in the eyes of some, it is plural in the eyes of others. Still others consider it non-existent. To define the contours of this issue, we compared the points of view of two historians specializing in Swiss history, Dominique Dirlewanger and Olivier Meuwly. What is their vision of Swiss identity? And how do they view recent events such as the unbolting of statues and the feminization of street names? Regards croisés.
Les mercredis du cinéma – Fanny Agostino Véritable amuse-bouche avant la venue de Nick Cave au Montreux Jazz Festival le 2...
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