Le Regard Libre N° 56 - Ivan Garcia Special Eugène Ionesco feature Directed since 2015 by Omar Porras, the Théâtre Kléber-Méleau...
Michel Siggen, qui ne jure que par Aristote et saint Thomas, a enrichi son cours dans un lycée valaisan d'une brochure explicative sur l'essai La philosophie devenue folle de Jean-François Braunstein. Un ouvrage qui expliquerait «la crise anthropologique actuelle».
Twenty-one-year-old Mélanie and her parents have decided to commit assisted suicide together, following Mr.'s cancer and Mrs.'s inability to continue living without him. With Radio Nostalgie playing in the Lausanne tee-room where she works as a waitress, Mélanie tries to mourn. She's trying - which is no mean feat. Everything now refers to her as dead or undead. The city is populated by spirits, the same ones that the young girl she used to be used to ward off in her nights. She begins a relationship with a young man, David, who in a way serves as her mirror and healer.
At the Théâtre de Vidy, death occupies the stage in Forever, a performance combining dance and music that reveals our relationship to the finitude of our existence, as well as to the possibility of eternal life.
Jean Dujardin shows off in his monologues, which he takes to be the nec plus ultra of film acting. He's talented and excellent in most of his roles. Here, he's just uninteresting and tiresome.
Les bouquins du mardi - Loris S. Musumeci «Of all the chants in the funeral Mass, the Sanctus is the only one whose...
He wasn't exactly handsome. And on a moral level, the singer readily admitted that he had succeeded in his art, but failed in his life. «Et pourtant, pourtant», the Great Charles was indeed the greatest, the most touching and the most brilliant.
Cinema Wednesdays - Loris S. Musumeci «This court judges based on the law, not the...
Cinema Wednesdays - A. B. The film opens with the scene that serves as the plot's turning point:...
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