This book should have been called «The Poetess», not «Miss Iceland». But that's the heart of the matter. In this Iceland of the sixties, the heroine wants to become a writer. And yet, her being is systematically reduced to her body. A gently combative novel.
A shadowy profession in the feminine plural, the subject of Elena Avdija's documentary. A triple portrait that brilliantly questions representations of violence on our screens. Freeze frame, time to chat with the director.
The 2022 edition of the Venice Biennale is finally turning purple and moving forward thanks to a curator who chooses...
Tout part d’une crise existentielle. Comment écrire alors que l’on doute? Que l’avenir est incertain? Et que la littérature a...
An ecologist elected in Lyon is promising «gender-neutral» bike paths. He explains this by arguing that women, in particular, need more safety than men. The umpteenth autogoal in the match between the «woke» team and the allegedly macho team.
Danièle Manesse, professor emeritus of language sciences at the University of Paris-3 Sorbonne nouvelle, fights inclusive writing with all her might. She responds here, argument by argument, to the proponents of this militant typography. And as a convinced feminist, she gives us her thoughts on what has become of much of her camp and the academic world.
Les mercredis du cinéma – Fanny Agostino A quoi ressemble le quotidien des femmes en Suisse une année après la grève féministe...
Les mercredis du cinéma – Alice Bruxelle Pedro Almodóvar sort de son tombeau introspectif. Deux ans après Douleur et gloire...
L'édito de Jonas Follonier
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