Simon Buisson, who has already won awards for his Stalk series about online harassment, has created a feature-length film on the same theme - while introducing a broader reflection on an ultra-connected society where the private sphere is fading away, to the point of disappearing.
Christophe Honoré's latest film features actors playing themselves. It's funny, poetic, intelligent and moving. Questioning their identity, «Marcello Mio» is universal: who hasn't dreamed of disguising themselves as someone else?
Alexandre Dumas' novel is brought to life in this spectacular period film, which combines the best of two worlds: the beauty of the French language and the visual mastery of Hollywood.
Her latest film immerses us in the creative process of Maurice Ravel's famous «Bolero». Unfortunately, it relegates Misia Sert, nicknamed the Queen of Paris, to the role of muse. A disappointing performance that tarnishes this biopic.
For his eighth film, Albert Dupontel plunges us into a political thriller, while maintaining his comic and poetic habits. A program that promises a high abstention rate.
At a time when «trial films» seem to be making a comeback, Cédric Kahn plays the radical card with a solid, brilliant and funny film about the French judicial machine of the mid-1970s.
Despite the harsh scores played out by experts in seventh-art pedantry and the film's undeniable shortcomings, the return of «Les Trois Mousquetaires» to the big screen also marks the return of great popular French cinema. And much more besides.
Delphine Lehericey's new film, which won an award at the Locarno Film Festival, moves away from drama to offer us a sensitive comedy about grief and reconstruction. Does the film strike the right balance between laughter and tears?
A prolific director, screenwriter, editor and cinematographer, Dupieux sets a new standard with two films in the same year. With an absurdist story in drawers, he is back with a vengeance, with a counter-acting cast and a surprising «Tabac Force».
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