With «Midsommar», director Ari Aster reinvents the codes of the genre by setting his horror film under the Swedish midsummer sun. Color, drugs and Nordic songs are the order of the day for this entry into a Swedish cult.
Penny is one hustler, Josephine another. But the two women work in radically different styles. Except that they only go after men.
Cinema Wednesdays - Melisa Oriol We recycle, we recycle, but do we need to recycle everything? Is it for lack of...
Jean Dujardin shows off in his monologues, which he takes to be the nec plus ultra of film acting. He's talented and excellent in most of his roles. Here, he's just uninteresting and tiresome.
Movie Wednesdays - Melisa Oriol With his latest film, Luc Besson brilliantly succeeds in creating a true...
Les mercredis du cinéma - Lauriane Pipoz Director Danny Boyle - whose credits include Bridget Jones, Coup...
A delightfully tacky opening credits sequence, in big, bold yellow letters, with a deliberately over-the-top vibe. A sudden transition from the sunny opening credits to the city in the rain. The dialogue is just as lighthearted, but no one can deny that it’s funny: «Have a nice day! – Yeah, yeah, I almost threw up» (when Philippe gets out of the car driven by his wife). Or, even better: «Watch out, kids, the sun’s mean here» (when they arrive in Ibiza).
We've known better alloys than the beauf-dèg'.
Les mercredis du cinéma - Jonas Follonier Guillaume de Tonquédec and his chickens: that's how you might sum up the cinematic experience...
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