An original story, to say the least.

Vice and dangerous liaisons

Les bouquins du mardi - Ivan Garcia A (forced) internment in a psychiatric ward brings a young man face to face with...

At a time when debates are raging over the existence of a distinction between man and artist, an interest in Mikhail Bulgakov's «Theatrical Novel», published in 1937, does not seem out of season. In this work, the author recounts, almost autobiographically, with sarcasm and feigned naiveté, the epic process of writing, publishing and adapting his first novel into a play.

A hopeless pamphlet and a sharp pencil.

How twisted is that thinking? I'll give you that.

LONG FORM INTERVIEW, Ivan Garcia | Historian of religions, journalist and director of the Labor et Fides publishing house, Matthieu Mégevand is a busy man in his thirties. He is currently completing a novel trilogy, published by Editions Flammarion, on the theme of creation/destruction. The first part, «La bonne vie», published in 2018, is dedicated to the poet Roger Gilbert-Lecomte and his «experimental metaphysics». This first book won him the eleventh edition (2019 - 2020) of the Le Roman des Romands literary prize, awarded by school and gymnasium classes. The second part of his trilogy, published in 2019, focuses on the painter Henri de Toulouse-Lautrec, and takes the reader back to Belle Epoque Paris to follow in the footsteps of this misunderstood deformed genius. As for the third part, now in the final stages of writing, it will be published in the coming years and will take as its protagonist that virtuoso of musical beauty, Mozart. To discuss this ambitious trilogy and his career as a writer, we meet Matthieu in Geneva at the «café librairie-livresse», a stone's throw from Plainpalais.

When Frédéric Pajak brings to Paul Eluard

Reflections on Molière after Me too