After his first homage to the whodunit genre, Rian Johnson renews the experience with a detective wackier than ever. Here's a close-up of «Glass Onion: a tale of knives at war», released on Netflix. It's an investigation to die for... or cigar.
Once again this year, our critics have covered some of the cinema news in cinemas and on platforms. Here are the creations discovered in 2022 that, in one way or another, didn't leave us unmoved.
A prolific director, screenwriter, editor and cinematographer, Dupieux sets a new standard with two films in the same year. With an absurdist story in drawers, he is back with a vengeance, with a counter-acting cast and a surprising «Tabac Force».
Mad Heidi«, the first self-proclaimed Swissploitation film not suitable for the lactose-intolerant, sprays our screens with hemoglobin. Far from perfect, this film, financed by a B-movie loving public, can be applauded for simply existing.
Mark Mylod se risque au thriller à tendance horrifique en offrant une expérience filmique emplie d’humour noir et de tension....
In 2018, Girl won three awards at the Croisette. Flemish director Lukas Dhont's new film continues his contemplation of teenage upheavals. This time, through the prism of other people's eyes. Close, the head-on collision of childhood and the world.
Frédéric Swierczynski and Sébastien Devrient set off to explore the high altitudes of the Ojos del Salado glacier mountain in Argentina. This volcanic mountain is home to the world's highest lakes. They recount their expedition in a new documentary film.
A shadowy profession in the feminine plural, the subject of Elena Avdija's documentary. A triple portrait that brilliantly questions representations of violence on our screens. Freeze frame, time to chat with the director.
Known for his Palme d'Or win on the theme of abortion with «4 Months, 3 Weeks, 2 Days» (2004), Romanian director Cristian Mungui's «R.M.N.» unravels the stubborn populist resentments of a Transylvanian village under the yoke of the EU.
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