If the «filles de Camaret» have been immortalized in a song that's more bawdy than downright poetic, it's indeed a form of poetry - but rusty, faded, salty, abandoned - that haunts the boat graveyard at Camaret-Sur-Mer, at the end of the Crozon peninsula in Brittany's Finistère region.
On Neuchâtel's Place Pury, there are now two statues of the same David de Pury: one erected in 1855, the other in 2022. The latter responds to recent criticism of the memory of the businessman who made his fortune through slavery. Clever!
Brick: a building material made of clay, in the shape of a rectangular parallelepiped, says the dictionary. Which forgets the function of blotting paper, as the walls become impregnated with lettering from another time, telling the story of the city before. Examples from across the Atlantic and antichronologically from Denver, Colorado, to Flagstaff, Arizona.
Snow in colors—or, more precisely, snow and colors—which stand out all the more when the «white blanket,» as the song goes, tries to cover them up. A stroll, not on Kilimanjaro, but through the city of Neuchâtel.
Symphonic music is a vast, tempestuous stream. What if we went back to its source, to the center of its gush, right next to the musicians and choristers? Immerse yourself in the heart of the Ensemble symphonique neuchâtelois (ESN) and the Cantabile Choir.
French photographer and videographer Alexandre Sattler has been banned from the social network, which considered some of his photos to be «pedocriminal». Here, he recounts his misadventure and denounces GAFA's use of artificial intelligence.
«A long time ago, we used to say »fairy electricity" to evoke a new and almost miraculous form of energy. Today, despite the threat of blackouts, we've become accustomed to its tidiness, sheathing and padlocking. But sometimes, at the bend in the road, we discover works of art of a sort, somewhere between carefree ramshackle and unexpectedly aesthetic. Stopovers in Tucson, Arizona, Guadeloupe and the Pyrénées-Orientales.
The 2022 edition of the Venice Biennale is finally turning purple and moving forward thanks to a curator who chooses...
My first series of images for Le Regard Libre was devoted to the white marble quarries of Carrara. A year later, I set course for Caunes-Minervois, in the Aude department, to discover a more discreet deposit, which has nevertheless supplied incarnate marble to such famous landmarks as the Grand Trianon in Versailles, the Arc de Triomphe du Carrousel in Paris and the Great Mosque in Cordoba...
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