Fer de lance du nouvel âge d’or de la comédie musicale, cadet de l’Oscar du meilleur réalisateur pour «La La Land» en 2017, Damien Chazelle semble réussir tout ce qu’il touche. Qu’en est-il alors de «Babylon», comédie dramatique sur le Hollywood des années 1920?
Après l’excellent «The Gentlemen» (2019) et le plus anecdotique «Un Homme en Colère» (2021), Guy Ritchie revient avec «Opération Fortune: Ruse de guerre». Un film à mi-chemin entre enthousiasme sincère et manque d'ambition.
Noah Baumbach, a leading director of so-called «independent» cinema in the USA and also a screenwriter for Wes Anderson («La Vie aquatique», «Fantastic Mr. Fox»), is once again collaborating with Netflix and Adam Driver. A first adaptation in half-tone.
Martin McDonagh keeps asking himself this question: how can such different people live together? With this question in mind, «The Banshees of Inisherin» takes us into one of the most exciting dramas of 2022.
After his first homage to the whodunit genre, Rian Johnson renews the experience with a detective wackier than ever. Here's a close-up of «Glass Onion: a tale of knives at war», released on Netflix. It's an investigation to die for... or cigar.
Once again this year, our critics have covered some of the cinema news in cinemas and on platforms. Here are the creations discovered in 2022 that, in one way or another, didn't leave us unmoved.
A prolific director, screenwriter, editor and cinematographer, Dupieux sets a new standard with two films in the same year. With an absurdist story in drawers, he is back with a vengeance, with a counter-acting cast and a surprising «Tabac Force».
Mad Heidi«, the first self-proclaimed Swissploitation film not suitable for the lactose-intolerant, sprays our screens with hemoglobin. Far from perfect, this film, financed by a B-movie loving public, can be applauded for simply existing.
In 2018, Girl won three awards at the Croisette. Flemish director Lukas Dhont's new film continues his contemplation of teenage upheavals. This time, through the prism of other people's eyes. Close, the head-on collision of childhood and the world.
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