Films

«This much I know to be True»: taming suffering

By Fanny Agostino · May 18, 2022

Movie Wednesdays – Fanny Agostino A real appetizer ahead of Nick Cave’s performance at the Montreux Jazz Festival on the 2nd...

Films

«Silverton Siege»: South African cinema asserts itself, but abolishes nothing

By Jordi Gabioud · 04 May 2022

Movie Wednesdays – Jordi Gabioud With the advent of digital technology, South Africa’s film industry is becoming increasingly...

Films

«Vortex»: the face of old age

By Fanny Agostino · 27 April 2022

Les mercredis du cinéma - Fanny Agostino Previewed at last year's Cannes Film Festival, the latest film...

Films

«Is »Dumbledore's Secrets" just another scam?

By Jonas Follonier · 20 April 2022

Movie Wednesdays – Jonas Follonier As for the title of this article, our answer is «yes and no.» Because...

Films

«At the same time»: political utopia through the absurd

By Jordi Gabioud · 13 April 2022

Les mercredis du cinéma - Jordi Gabioud The duo of Gustave Kervern and Benoît Delépine have come up with a new adaptation...

Films

«Ambulance»: the adrenalin shot that awakens the American blockbuster

By Jordi Gabioud · March 30, 2022

Movie Wednesdays – Jordi Gabioud For several years now, critics have loved to hate Michael Bay’s films, including...

Films

Laure Calamy is heartbreaking in «A plein temps» (Full-time)»

By Jonas Follonier · 23 March 2022

Les mercredis du cinéma - Jonas Follonier Laure Calamy plays the role of a mother running all day long between...

Films

«Notre-Dame brûle»: a stifling Christian thriller

By Fanny Agostino · 16 March 2022

Les mercredis du cinéma – Fanny Agostino Sidération, inquiétude et attente. Tel fut l’état d’esprit partagé par bon nombre de...

Films

Lebanese director Mounia Akl: «Creation is an act of freedom».»

By Alice Bruxelle · 09 March 2022

Les mercredis du cinéma - Alice Bruxelle Mounia Akl is a Lebanese director. In the context of a country where no...