For more than seven decades, a singular beverage has made its mark on the Swiss landscape. Alexander Barth, Chairman of Rivella's Board of Directors, explains the reasons behind this success and shares his vision of the country's future.
At a time of reconfigured political cleavages in Britain and Europe, Thatcherite thinker Mark Littlewood gives his views on the future of the right and the place of liberal-conservatism in Britain and the West.
Between family heritage and decisive innovation, Véronique Besson-Rouvinez retraces the rise of her estate and defends a freer viticulture. In the face of foreign competition and regulatory constraints, she calls for the freeing of energies.
In Paris, where we met him at length in his childhood neighborhood, Romanticism specialist and literary historian Alain Vaillant reads two centuries of Western culture as the rise and fall of a civilization centered on the individual.
The founder of QoQa inaugurates our series of economic interviews devoted to the country's future. He describes the keys to his model and the burden of bureaucracy, and argues for greater support for entrepreneurs in the face of foreign competition.
In «La Montre d'Hitler» (Hitler's Watch), Yves Azéroual and Christophe Barbier combine thriller and reflection on transmission, using a watch that once belonged to the Führer to explore how an era haunts the living.
In «Anti-civilization», Etienne-Alexandre Beauregard argues for a conservatism of the common good. Nation, shared culture and the «ordinary man» are, according to the 25-year-old Quebec essayist, the forgotten conditions of liberal democracy.
The former ambassador delivers a harsh indictment of Swiss and EU foreign policy, criticizing their alignment with NATO and calling for the Confederation's diplomatic credibility to be restored.
Author of a canonical «History of Switzerland» and of recent guided walks in his series «Au fil de l'histoire suisse», the university professor welcomes Le Regard Libre a few steps from the medieval ramparts of Fribourg.
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