Gabriele Münter had the misfortune of being the mistress of a figure who loomed too large in art history—the Russian painter...
Le Regard Libre No. 82 – Bernard Léchot «It’s the silence that stands out the most, with all the roller shutters down,» sings Cabrel in “Hors saison,” evoking a coastal town. On the Mediterranean coast, it’s true as well. In the Camargue, a...
Le Regard Libre N° 82 - Jonas Follonier After two books based on texts by Jocelyne Gagliardi, Isabelle Tabin-Darbellay...
ARTICLE LONG FORMAT, Aude Robert-Tissot | Coghuf, whose real name was Ernst Stocker, is one of the major Swiss painters of the 20th century. And yet, the first book to retrace his entire oeuvre has only just been published. Beyond the undeniable importance of a monograph devoted to such an artist for the history of art, it has the particularity of having been conceived without barriers, in the image of the reception of the artist's work. Whether in Basel, his birthplace, or in the Franches-Montagnes, his adopted region, everyone agrees: Coghuf has been forgotten, and his work deserves to be brought back to light. This has now been achieved, thanks to the expertise of the book's editor, art historian Yves Guignard, and an innovative bilingual approach.
Le Regard Libre N° 81 - Vinciane Vuilleumier «Hors cadre» series, episode 11 Each month, painter Vinciane Vuilleumier explores the...
Bernard Léchot's photo essay
ARTICLE LONG FORMAT, Aude Robert-Tissot | XXL, le dessin en grand is the current exhibition at the Musée Jenish in Vevey. Until February 27, immerse yourself in a black-and-white and colorful universe of charcoal, pastel, ink and graphite, hatching, brushstrokes and pointillism, in works that are sometimes flat, sometimes three-dimensional. A multi-sensory visit thanks to the large format and a musical stroll.
«HORS CADRE» SERIES, Episode 11 | Each month, painter Vinciane Vuilleumier explores the theme of our relationship with images and art spaces. What happens inside us when we encounter an aesthetic object? How can we understand this relationship, which, when sincere, feels like a secret romance? Farewell to pedantry and institutionalism in museums. Welcome to a wild series that gives new meaning to the title of your magazine, *Le Regard Libre*.
Bernard Léchot's photo essay