Le Regard Libre N° 82 - Jonas Follonier After two books based on texts by Jocelyne Gagliardi, Isabelle Tabin-Darbellay...
ARTICLE LONG FORMAT, Aude Robert-Tissot | Coghuf, whose real name was Ernst Stocker, is one of the major Swiss painters of the 20th century. And yet, the first book to retrace his entire oeuvre has only just been published. Beyond the undeniable importance of a monograph devoted to such an artist for the history of art, it has the particularity of having been conceived without barriers, in the image of the reception of the artist's work. Whether in Basel, his birthplace, or in the Franches-Montagnes, his adopted region, everyone agrees: Coghuf has been forgotten, and his work deserves to be brought back to light. This has now been achieved, thanks to the expertise of the book's editor, art historian Yves Guignard, and an innovative bilingual approach.
Le Regard Libre N° 81 - Vinciane Vuilleumier «Hors cadre» series, episode 11 Each month, painter Vinciane Vuilleumier explores the...
Bernard Léchot's photo essay
ARTICLE LONG FORMAT, Aude Robert-Tissot | XXL, le dessin en grand is the current exhibition at the Musée Jenish in Vevey. Until February 27, immerse yourself in a black-and-white and colorful universe of charcoal, pastel, ink and graphite, hatching, brushstrokes and pointillism, in works that are sometimes flat, sometimes three-dimensional. A multi-sensory visit thanks to the large format and a musical stroll.
SERIE «HORS CADRE», épisode 11 | Chaque mois, l’artiste peintre Vinciane Vuilleumier explore la thématique de notre rapport aux images et aux espaces de l’art. Que se passe-t-il en nous quand nous rencontrons un objet esthétique? Comment comprendre cette relation qui a tout de l’idylle secrète quand elle est sincère? Adieu, pédanterie et institutionnalisme des musées. Bienvenue dans une folle série qui donne un autre sens au titre de votre magazine, Le Regard Libre.
Bernard Léchot's photo essay
Van Gogh is one of those artists whose work and life fascinate all audiences. Unknown during his lifetime, his success was dazzling after his death, and his genius was widely recognized, establishing him as one of the greatest artists of all time. Today, it's the turn of immersive multimedia exhibitions to use the work and myth of the cursed artist to sell us sensationalism: welcome to experience marketing.
Vinciane Vuilleumier explores the theme of our relationship with images and art spaces. What happens to us when we encounter an aesthetic object? How do we understand this relationship, which has all the makings of a secret idyll when it's sincere? Goodbye, pedantry and museum institutionalism. Welcome to a crazy series that gives new meaning to the title of your magazine, Le Regard Libre.
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