Label: French cinema
«Matthias and Maxime: the anti-Guillaume Canet friendship

«Matthias and Maxime: the anti-Guillaume Canet friendship

Just one year after the Hollywood-style «My Life with John F. Donovan», the young prodigy of Quebec cinema returns to his roots with «Matthias et Maxime». The art of producing a work of fiction with his real-life gang of pals, while avoiding the trap of being too much of a goody-goody.
«Alice and the Mayor: stimulating without being breathtaking

«Alice and the Mayor: stimulating without being breathtaking

Alice is a young woman fresh out of her philosophy studies. Coming from a brilliant background, she dreams of a successful career. However, when she moves to Lyon for a professional opportunity and is told that her job has been abolished, the opposite happens. She is then assigned to one of those perfectly useless functions: giving ideas to the mayor, who no longer possesses a single one after thirty years in politics. Only superficially useless: Alice will stimulate the mayor's mind. But beyond what's necessary for Lyon's political equilibrium.
«Thalasso», Houellebecq and Depardieu's therapy

«Thalasso», Houellebecq and Depardieu's therapy

In this new comedy from Guillaume Nicloux, Gérard Depadieu and Michel Houllebecq (the real deal) meet in a thalassotherapy establishment. Philosophizing endlessly about trivial matters, they try to cope with their cure as best they can, while taking potshots at today's society. A film somewhere between a schoolboy documentary and an exercise in style.
A defeated family party

A defeated family party

In Cédric Kahn's new film, currently in theaters, Catherine Deneuve plays a grandmother who wants to celebrate her birthday surrounded by all her nearest and dearest. But that's without counting on the fact that family is hell, as someone else might have said.
How about a flight to Ibiza?

How about a flight to Ibiza?

A delightfully tacky opening credits sequence, in big, bold yellow letters, with a deliberately over-the-top vibe. A sudden transition from the sunny opening credits to the city in the rain. The dialogue is just as lighthearted, but no one can deny that it’s funny: «Have a nice day! – Yeah, yeah, I almost threw up» (when Philippe gets out of the car driven by his wife). Or, even better: «Watch out, kids, the sun’s mean here» (when they arrive in Ibiza).