ARTICLE LONG FORMAT, Aude Robert-Tissot | Coghuf, whose real name was Ernst Stocker, is one of the major Swiss painters of the 20th century. And yet, the first book to retrace his entire oeuvre has only just been published. Beyond the undeniable importance of a monograph devoted to such an artist for the history of art, it has the particularity of having been conceived without barriers, in the image of the reception of the artist's work. Whether in Basel, his birthplace, or in the Franches-Montagnes, his adopted region, everyone agrees: Coghuf has been forgotten, and his work deserves to be brought back to light. This has now been achieved, thanks to the expertise of the book's editor, art historian Yves Guignard, and an innovative bilingual approach.
Un vieux révolutionnaire aigri?
Voisard delivers a fresh, pulsating tale.
A Swiss conductor of Argentinean origin, Facundo Agudín is an eclectic artist who promotes composers from different eras in the...
Microbrewery Fridays - Arthur Schneiter When you associate the terms «Jura» and «craftbeer», both on Google and in...
Les mercredis du cinéma - Hélène Lavoyer «The tree offers itself entirely. It's a home, food... once it's dry, you...
Le Regard Libre N° 36 - Marina De Toro One Tuesday afternoon, at around 2 p.m., I decided to take my brother for a...
Dévoilée par le Tages Anzeiger, la polémique n'est pas près de se dégonfler. Un tourisme électoral aurait faussé la votation de Moutier sur son appartenance cantonale! Après «l'affaire Broulis» et la pseudo-controverse Isabelle Moret, voilà un sujet bien racoleur.
As I write these lines, we know that Moutier, a small town situated, as its slogan puts it, in the «heart of the Jura»,...
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