In a world where literature is often seen as mere entertainment, it may seem important to restore the importance of learning the French language and studying its greatest authors.
By temporarily suspending films starring Depardieu, the public broadcaster is making at least five mistakes in one. Not only do we have to distinguish between the man and the work, but this choice opens a Pandora's box, and RTS is shooting itself in the foot.
The cornerstone of woke activism, a new anti-racism has emerged in Europe, imported from the United States. Despite appearances, it has little in common with the classic universalist anti-racism that preceded it.
Each month, we feature a column by one of the personalities who give us the pleasure of alternating between the two. Youtuber Ralph Müller, a doctoral student in literature at the University of Geneva, delivers his scathing analysis of a typical contemporary phenomenon.
First published in January 2014, Le Regard Libre, which has never changed its name or mission, has nevertheless evolved from a student magazine to an intellectual magazine present on the media scene. It's time to reveal a little more about what goes on behind the scenes.
By the way, why do you read us? Here, for our 100th issue, are the answers from Zeynep Ersan, Lionel Hort, Delphine Gendre, Pascal Couchepin, Joseph and Madeleine Mayoraz, Yves Tabin, Cathy Sierro, Jean-Jacques Michelet, Laetitia Guinand and Jean-François Braunstein.
Digitization has had a major impact on the journalistic sector. Between changing practices and economic challenges, the last ten years have seen the media shrink in the face of new competitors.
On the occasion of this 100th issue, let's celebrate pluralism, and its corollaries, tolerance and freedom of expression. When «Regard Libre» was created, we could never have imagined the extent to which these watchwords of our magazine would need to be defended.
The pleasure of acid consumption lies in the excess of perception it brings. Here, too, lies its great danger, for the magic lies in the things themselves, not in this ultra-perception.
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